AI is the latest divide in the volume vs. value split in media

I was going to write about how media companies need to focus on clearly identifying and then serving their audience, but Adam Tinworth has already written a brilliant post on that subject with great examples including Sarah Marshall’s Audience Canvas and Dmitry Shishkin’s User Needs framework. (Some readers thought Adam was throwing shade on analytics and revenue so he has responded to those who came away with that impression.) Adam was responding to comments from Isabelle Roughhol, who was “seething” about comments about AI at the latest News Rewired. Her comments highlight the split between media companies still playing the volume game and those shifting towards value.

Media companies addicted to the volume model continue to search for ways to maintain that scale by any means necessary to sustain an ad-sustained business. These large newspaper groups and increasingly consolidated digital businesses cobbled together from the tired remnants of faded Platform Era darlings focus on using AI primarily for the efficient generation of content. I would list them, but the restless distressed asset trading amongst them would only be a snapshot in decline. Audiences are (mostly) anonymous numbers to be aggregated. Hedge-fund-owned newspaper groups in the US discuss growth in the context of their ability to pay off the debt they accrued by buying properties to achieve a scale that has never delivered sustainability.

On the value end of the media continuum are companies focused on valuable niche audiences or broader companies that can generate sufficient income from reader revenue. They focus on distinctive content and excellent user experiences. They know the audiences they serve and leverage analytics, audience research and experimentation to understand the value they can deliver to those audiences. Value publishers can operate at a range of scales, from local to national to international, and they can operate in lucrative verticals such as the Financial Times or City AM or in general news such as the New York Times or South Africa’s Daily Maverick.

And now we come to AI. Adam referred to a tweet by Isabelle Roughhol:

Isabelle told me after the session that she was “seething” because a panel member had talked about AI non-strategically exhorting publishers to get on board.

For volume publishers, they focus on how to use AI to create more undifferentiated content more efficiently. It might be using AI to repurpose a story across their network, diluting the value of the original story to generate cheap pageviews for low-margin ads. It might be for repurposing a story for a younger audience instead of a smart strategy to include more young subjects in their reporting and create authentic content for those audiences.

This is largely a hangover of what I call the Platform Era and Brian Morrissey calls the Traffic Era. He said in The Rebooting newsletter, he says:

In retrospect, the traffic era was a lot like the zero-interest rate policy era: It led to a lot of bubbles. The easy-traffic era created incentives for publishers to push out as much content as possible to feed the algorithmic machines at Google and Facebook. Times have changed. And just as the overall economy has struggled to adjust to a higher-for-longer era of interest rates, publishers have needed to adjust their strategies.

I have worked for and with volume publishers, and I was always impressed with their agility. However, as my understanding of the media business matured, I realised that they were tactically nimble but strategically paralysed. They rolled out new initiatives frequently, but they were always in the service of the same goal, scale. Their AI initiatives are in danger of following the same pattern.

Changes in technology - the internet, social media, the shift to mobile and now AI - all shift journalism’s value chain, where media companies add value. The internet was just the latest technology to change the value chain of media distribution, especially for local news. I used to enjoy looking at the back issues of the newspapers I edited in the US, and I was amazed at how the front pages in the 1960s were dominated by regional and national wire copy. The front pages of major events like the first moon landing were incredible snapshots of history, but I am sure most readers had seen the news elsewhere before they saw in the newspaper. It might have made a nice keepsake, but it was of limited news value.

In London, people used to read newspapers on the Tube - Metro and the Evening Standard, which were sold or then handed out for free to commuters. Even before the Elizabeth Line and increasingly the Tube lines had mobile internet access, commuters spent more time on mobile phones. Commuters were no longer looking to newspapers to read on their commute. The Evening Standard’s daily circulation dropped from 850,000 to 275,000 in the last five years, and the Standard published its final daily edition in September of this year.

With respect to AI, Ezra Eeman, the strategy and innovation director at Dutch public broadcaster NPO, said AI should be used to “create value more efficiently rather than replace humans”. This is the fundamental divide between volume and value publishers. Volume publishers look at technology change through the lens of their current value chain. Value publishers consider the value they create for their audiences, and they consider how new technologies change audience behaviour and expectations, which ultimately change where they can add value.

Some of the larger value publishers, like the New York Times and the Financial Times, already employ data scientists working with editorial so that they can do incredible investigations that would never have been possible without AI. The New York Times used AI to examine 2.1 million posts from thousands of Instagram accounts of young girls managed by their parents. Nearly one in three preteen girls list becoming an influencer as a career goal. “The Times found, encouraging parents to commodify their children’s images. Some of the child influencers earn six-figure incomes, according to interviews.” The Financial Times “compared photographs of the children from an official database of missing Ukrainian children with the public profiles of children up for adoption in Russia using image recognition tools”.

AI is being used for moderation to allow smaller teams to manage comments and other community features to help deepen their relationships with audiences. AI is being used to understand the propensity to register and subscribe to drive better business outcomes. AI will have a huge impact on the business and practice of journalism. Only by thinking about how it will change value chains will we create sustainable businesses. How will AI change where and how journalism adds value for audiences? Those who are asking and answering that question will thrive in the future. Those who simply use AI to eke out efficiencies for a previous era in digital journalism will continue to fade and destroy a lot of economic and civic value. It is this ongoing destruction of value that makes me, like Isabelle, seethe.

And now onto the links for this week. Many of the conversations I am taking part in touch on the best model for publishers to strike deals with AI companies. Smaller publishers are concerned they are being left out.

I wasn’t surprised to see Canadian publishers suing OpenAI. After the disastrous delisting of their content by Facebook, I can see why they want to take a more proactive approach.

One important point made in one of the discussions I took part in is that all of the ad hoc deals are not leading to comprehensive policies to address the IP issues around LLM content scraping. And this example shows how ad hoc these deals are. Dow Jones used lawsuits to protect its own content but then decided to strike AI deals for its Factiva service.

For large-scale value publishers like the New York Times, they are constantly working on how they prove the higher value of their business. While they have one of the most successful subscription businesses in the world, they are looking for an ad measurement model that more closely aligns with their overall business. They want a better way to measure the value of their campaigns.

In the wake of the US election, the Pew Center released a report showing how many Americans were getting their news from influencers and what kind of information they were getting from them. UNESCO found that most of these influencers didn’t check the information they were circulating.

News and resources to help you navigate the rise of Bluesky

If you’ve shifted to Bluesky, there is now a way to verify your accounts, either through domains you control as well as through your employer’s domains. It’s quite powerful, and it won’t require you to pay a subscription fee every month.

Bluesky is growing rapidly, and on its current trajectory, it could overtake social networks like X. To do that, it’s going to need money.

This is a fascinating question, but I also wonder about the role that high levels of inequality play in these perceptions.

This newsletter started years ago when I used Nuzzel to aggregate the links that my network of people in media and journalism shared. It was incredible that I could quickly see the most important links my network was sharing, and it made putting together a newsletter like this much easier. I was happy when Twitter bought it and gutted when the company shut it down. Now, there is a similar service for Bluesky.

How Sweden’s Dagens Nyheter slashed churn and other paid content lessons


 Every morning Dagens Nyheter, by Elgar Hollard, from Wikimedia Commons

Hello and welcome to even more new subscribers! New subscribers mean that this is useful to you and keeps me excited to continue doing this.

Today’s newsletter is like Chinese takeout, a bit of sweet and sour. First, the sweet: Digiday has a great piece looking at how Dagens Nyheter has halved churn over the last couple of years. Digital subscribers overtook print ones in May of this year. They are converting 2000 subscribers a week, and digital subscriber revenue has overtaken advertising as their largest digital revenue stream.

From a conversion standpoint, they have developed a hybrid three-layer paid content system: Metered, premium and dynamic. The dynamic layer puts content that attracts a significant amount of traffic in three to four hours behind the paywall.

In terms of conversion, they have found that the first four to six months are critical in reducing churn, which is why they have focused on things like newsletters and push notifications to build habits with newly converted subscribers.

That’s the sweet and now the sour from today. I got my start in journalism at a small local newspaper in western Kansas. My editor at the Hays Daily News Mike Corn used to joke, “It’s not the middle of nowhere, but you can see it from here.”

The Hays Daily News was part of a family-owned regional group, Harris Enterprises, and it pained me to read this deep dive into the decline of the papers that used to be part of the group and other papers across Kansas.

When I was there, things were lean, and I got my job just before a hiring freeze was instituted. In terms of newspapers, even though my career started in the mid-1990s, I never knew the golden age of the industry that some journalists hearken back to. The piece referred to those times and the fat margins papers had then as they enjoyed local monopolies:

For a while, though, newspapers were easy money: In most communities, the newspaper faced little competition and could charge high rates to advertisers. The result, as Lehigh University professor Jeremy Littau noted in a widely shared Twitter thread in January, is that in the 1990s, companies like Knight Ridder – which owned the Wichita Eagle and Kansas City Star before selling to current owner McClatchy – had profit margins of 30 percent or more.


As newspapers dwindle, residents in Hutchinson and elsewhere notice what’s missing , by Joel Mathis, The Journal

Harris Enterprises sold to Gatehouse in 2016. Gatehouse has a reputation for pretty deep cuts and centralised production out of a central hub in Austin Texas. The cuts have been deep, and the piece explains what those cuts mean to communities civically and otherwise.

But I’ll end on this somewhat optimistic note:

If there’s hope for strengthening the connection between news organizations and the communities they serve, then it might come first in those places where news gatherers have to form the closest of ties. There are still plenty of places in Kansas where locally owned papers are persevering.

Thanks again to the new subscribers. If you don’t get this in your inbox, sign up on my Nuzzel profile page, and send along any stories you might spot to me on Twitter @kevglobal.

How to grow paying subscribers by 2000%? Easy. Evolution.

Pieces of paper with the words money, growth and business printed on them with 2019 spelled out in US coins.

2019 – Das Jahr des Wachstums, Geldes und Geschäftes, by Marco Verch, Flickr, Some Rights Reserved

The top story in my media business newsletter today definitely challenges conventional wisdom. Trevor Kaufman, the CEO of paid content platform Piano, says that most people believe that when you launch a paid content strategy that you grow at first but then plateau as you convert the core of your addressable market. I have to admit that from most of the examples that I have seen and even some media properties that I have managed that this is the case.

“After all, once you convert the converted, who is left?” he asks rhetorically. He goes on to challenge that view and says that Piano is finding that those publishers that invest in working their conversion funnel get better at converting.

We took a random sampling of our customers that have been in business between four and nine quarters, comparing their first two quarters with their last two. We found those with just a year behind them experienced increases of up to 50% in their average number of new monthly subscribers. And for those with nine quarters behind them, growth rates reached more than 2000% on average.


Attention, investment in digital subscriptions results in 2000% growth, Trevor Kaufman, INMA

Conversely, those clients who didn’t work it, didn’t invest, didn’t learn not only plateaued but declined. And I think Kaufman points out another key difference: The companies that invested and excelled changed their business, just like the New York Times has, to subscription-focused businesses.

There is a lot about paid content in today’s newsletter including an updated overview of pay models for online news by the Reuters Institute for the Study of Journalism.

Let me know if there are any stories that you’d like to see in the newsletter. I’m @kevglobal on Twitter.

How publishers are experimenting with TikTok, the latest hot short video app

@pjf the Mad Scientist, by Stephen Edmonds, from Flickr

Publisher and broadcasters are always looking for ways to reach young audiences, the latest way to do that is the short-form video app, TikTok. In my international media newsletter today, the top story is from a look at how publishers are trialling “fun” programming on the platform. Digiday looks at the audience TikTok boasts:

According to TikTok’s pitch deck to U.S. agencies, about 60% of its monthly active users in the U.S. are between 16 and 24 years old. Also like Snapchat, users are heavily engaged with the app, spending 46 minutes per day on TikTok, on average. While TikTok doesn’t have a way for publishers to directly monetize on the app, such as through sharing ad revenue, some publishers are still choosing to experiment.

How publishers are using TikTok, the latest hot app, by Kerry Flynn, Digiday

Kerry questions about how much resources early adopters including NBC and ESPN can afford to throw at a platform that doesn’t have a clear way to directly monetise attention. That question alone shows the shift from the strategy a few years back of building an audience and worrying about monetisation later to thinking about the revenue strategy off the bat.

Other topics in the newsletter today are:

Publishers need to prepare for mobile app resurgence. Filloux says large players are preparing to dominate the subscription battlefield. Podcasters need to experiment with new revenue models. Brit & Co is the latest millennial digital brand in trouble.

If you spot a good story about the business of media, especially digital, feel free to send it to me @kevglobal on Twitter. If you don’t get my international media newsletter in your inbox, you can get a taste of it and subscribe here.