Killing straw men

Paul Carr has written a post for TechCrunch about citizen journalism and social media entitled After Fort Hood, another example of how ‘citizen journalists’ can’t handle the truth. Normally I ignore TechCrunch, but so many people I know were impressed with the post that I had to read it. Sadly, it’s riven with poor logic, straw men and factual inaccuracies.

Paul starts with a straw man:

…after two weeks of me suggesting that social media might not be an unequivocally Good Thing in terms of privacy and human decency, the news has delivered the perfect example to support my view.

The discussion about the impact of social media on people’s privacy, behaviour and ethics has been going on for years, and there have been many, many examples of people using social tools in ways that can only be described as foolish.

This is not, however, a reflection on social tools so much as it is a reflection of human nature: Some of what gets done with social media is good and some is bad. This is not news, nor new.

We do need some proper studies to see just what sort of effect these new social technologies are having, but going off on a moral panic about social tools is neither smart nor helpful.

Carr goes on to say:

And yet, the first news and analysis out of the base didn’t come from the experts. Nor did it come from the 24-hour news media, or even from dedicated military blogs – but rather from the Twitter account of one Tearah Moore, a soldier from Linden, Michigan who is based at Fort Hood, having recently returned from Iraq.

[…] In reality Ms Moore’s was tweeting minute-by-minute reports from inside the hospital where the wounded were being taken for treatment.

It’s no real surprise that people who use Twitter might use it during such an event. And most people who use Tweet have a relatively small community. Moore now has her Twitter stream set to private, but even now she has only 29 followers, so she most likely thought that she was speaking to a small number of people and it turns out that’s pretty much true: If you search for her Twitter ID, you can see that she was retweeted a little bit, but not massively. I know Twitter search isn’t the most reliable, but there are only 8 pages of search results for her ID, starting 8 days ago. That hardly speaks to a huge retweeting.

Furthermore, whilst Twitter lists were used by the media to collect Tweets related to Fort Hood, Moore is on six such lists, which between them have a grand total of 67 followers.

Carr goes on:

That last twitpic link was particularly amazing: it showed a cameraphone image – of a wounded soldier arriving at the hospital on a gurney – taken by Moore from inside the hospital. Unsurprisingly, Moore’s – [sic] coverage was quickly picked up by bloggers and mainstream media outlets alike, something that she actively encouraged by tweeting to friends that they should pass her phone number to the press so she could tell them the truth, rather than the speculative bullshit that was hitting the wires.

Carr claims that the bloggers and mainstream media outlets picked up on her tweets, but I just can’t substantiate that. I have searched Google News and the only mentions of “Tearah Moore” are people reposting or quoting Paul Carr’s article. Searching for “MissTearah” brings up two articles, neither from a mainstream news outlet. One is from a German blog, the other from The Business Insider, which runs her photo.

Further digging does reveal that the Houston Chronicle in Texas ran her photo (no. 52) with the caption “MissTearah submitted this photo to Twitter purporting to be from the emergency room in Killee.” Australia’s Herald Sun does the same but uses the caption “This Twitter image from user misstearah, claims to be from inside a hospital near the shooting.”

Technorati and Icerocket show the same pattern amongst bloggers: A few people are talking about Carr’s post, not Moore’s original Tweets.

When I mentioned this on Twitter, Carr responded:

@Suw I linked the Independent in the post http://bit.ly/37HwCy Here’s NYT and AP trying to ctct: http://bit.ly/3IeG94 http://bit.ly/4DdsEY

The Independent post that Carr links to is actually a post by Jack Riley, a tech writer, that he’s written on his own Independent Minds Livejournal. Independent Minds is the Indie’s user generated content platform, it’s not a part of the Indie’s journalistic output. The other two are links to Tweets by the New York Times and the Associated Press trying to get in touch with Moore, which is what you would expect from journalists who think they may have an eye witness to talk to.

Let’s just look at Tweets from the MSM to Moore (oldest to newest):

@robertwood: @MissTearah give me a call if you can. I’m a reporter and wanted to do an interview. 512.474.5264

@DavidSchechter: @MissTearah Please call WFAA TV in Dallas 214-907-5964

@vietqle: @MissTearah I’m with National Public Radio in DC. We’d like 2 talk w/ people at Ft. Hd. Can you contact me? vle@npr.org or 202.513.3999. Tx.

@waldon_m: @MissTearah please call me at 2022157069 or email mwaldon@ap.org

@waldon_m: @MissTearah i am a reporter with The Associated Press. Please contact ASAP

@waldon_m: @MissTearah please contact the AP 202 641 9807

@waldon_m: @MissTearah please contact The Associated Press if you can 202 641 9807- thank you.

@BBC_HaveYourSay: @MissTearah Hello, it’s James at BBC News in London. I saw your picture from Fort Hood. It would be great to talk to you today. Are u free?

@BBC_HaveYourSay: @MissTearah Thanks for letting us know. We thought the email was suspicious. I’m glad we did not publish your pic. I’m sorry to trouble you.

@xocasgv: @misstearah http://twitpic.com/ohye0 – Hi, this is Xaquin G.V., Graphics Editor at The New York Times, read you witnessed the event. Any cha [sic]

So, six journalists get in touch, with Michael Waldon not appearing to have much luck in getting hold of Moore at all. The brief exchange with @BBC_HaveYourSay is also interesting – make of it what you will. As Moore’s account is private now, there’s no way to see what her response was and thus tricky to interpret that tweet.

But other than the three posts mentioned above that use Moore’s photo, I couldn’t find any other mainstream media news outlet that quotes from or mentions Moore by name, nor do any bloggers that Technorati or Icerocket can find. Equally, the number of retweets are negligible.

Carr’s assertion that her tweets were “quickly picked up by bloggers and mainstream media outlets alike” just isn’t supported by the facts.

Now there is a discussion that could be had about the content of Moore’s Tweets. She did not have access to completely accurate information but from reading through some of the reTweets and the few Tweets that Riley archived, Moore seemed to feel that the information she was getting was coming from relatively reliable sources. She was also Tweeting what she was witnessing, which is information there’s no reason to doubt.

In the middle of a shooting, in a lock-down situation, is it really any wonder that your average eye witness actually isn’t all that well informed about the bigger picture? People caught up in events can tell us what they see and what they hear, but they can’t necessarily fact check right there and then and I feel it’s rather unfair to expect them to.

Carr also talks about a picture Moore took – a blurry image of someone on a gurney further down the corridor:

Rather than offering to help the wounded, or getting the hell out of the way of those trying to do their jobs, Moore actually pointed a cell-phone at a wounded soldier, uploaded it to twitpic and added a caption saying that the victim “got shot in the balls”.

In the caption to her Twitpic, Moore says that she was at the hospital for an appointment. She doesn’t appear to be a member of medical staff, so would have no role to play in that situation. Whether it is reportage or poor taste to take and upload such a picture — given that there is no way to identify anyone in the picture and you can barely see the wounded soldier — is a matter for debate.

(Carr mentions HIPAA, the Health Insurance Portability and Accountability Act, which protects patient confidentiality in the US. I’m not clear how HIPAA privacy provisions would apply in this case and would need an expert to advise.)

But to insinuate that it’s pure selfishness and that Moore should have been ‘doing something’ is misrepresenting Moore’s situation.

Carr himself, though, did appear to have a problem with Moore’s conduct, if his tweets are anything to go by:

@paulcarr: By the way, doesn’t @misstearah have a fucking job to do while all these people are dying? Just wondering.

@paulcarr: Looks like @misstearah’s twitter account has been taken down. Only took the army an hour to respond to that particular threat.

@paulcarr: Also, Twitpics from inside the hospital? From a cellphone? Really? Precisely how many moral and legal rules does that break?

Carr then goes on to talk about the Iranian elections:

For all of our talk about “the world watching”, what good did social media actually do for the people of Iran? Did the footage out of the country actually change the outcome of the elections? No. Despite a slew of YouTube videos and a couple of thousand foreign Twitter users turning their avatar green and pretending to be in Tehran, Mahmoud Ahmadinejad is still in power. It’s astonishing, really.

What is astonishing is Carr’s arrogance. Whilst the election wasn’t swayed, it is wrong to think that the social media action around the elections achieved nothing. I’d like to hear from Iranians on this, but I would imagine that just knowing the world was listening, that people out there cared, that normal Iranians could be heard outside of their own country would be an empowering experience. We might not know for some years what the full effect was, but to write it all off because the election wasn’t swayed is just shortsightedness.

Carr goes on:

And so it was at Fort Hood. For all the sound and fury, citizen journalism once again did nothing but spread misinformation at a time when thousands people with family at the base would have been freaking out already, and breach the privacy of those who had been killed or wounded. We learned not a single new fact, nor was a single life saved.

Another straw man. Eye witness reports have never been focused on saving lives, but on reporting what someone’s experiences. And as for misinformation and breaching privacy, the mainstream media is just as good at spreading that as anyone else, if not better.

A further straw man is Carr’s complaint that social media is making “our humanity […] leak[…] away”. It’s a meaningless statement, on a par with the anti-electricity rhetoric from the late 19th Century. Ethics are not tool-specific, they don’t change from technology to technology. If that were so, all the positive, constrictive, humanity-affirming actions that are taken through social media would simply not be possible.

Finally, Carr mentions the video of Neda Agha Soltan’s final moments:

Even if you’ve seen the footage before, you should watch it again. But this time bear in mind the following: the cameraman was not a professional reporter, but rather an ordinary person, just like the victim. And what did he do when he saw a young girl bleeding to death? Did he run for help, or try to assist in stemming the bleeding? No he didn’t.

Instead he pointed his camera at her and recorded her suffering, moving in closer to her face for her agonising final seconds. For all of our talk of citizen journalism, and getting the truth out, the last thing that terrified girl saw before she closed her eyes for the final time was some guy pointing a cameraphone at her. “Look at me, looking at her, looking back at me.”

This is totally disingenuous. Neda was on her way to a protest in Tehran and was shot in the heart when she got out of the car to get some air (the car’s air conditioning wasn’t working well). Several people attended to Neda, including Dr Arash Hejazi, who said this about the incident:

A young woman who was standing aside with her father [sic, later identified as her music teacher] watching the protests was shot by a Basij member hiding on the rooftop of a civilian house. He had clear shot at the girl and could not miss her. However, he aimed straight her heart. I am a doctor, so I rushed to try to save her. But the impact of the gunshot was so fierce that the bullet had blasted inside the victim’s chest, and she died in less than two minutes.

Carr’s assertion that the people who videoed Neda’s death should have been doing something is absurd. Others were already doing what they could and it doesn’t sound like there was anything more that could be done.

However harrowing it is to watch a young woman die, there are times when such scenes have to be captured and relayed to the world, to illustrate the appalling conditions and repression that people are suffering. Had she died unrecorded, it’s likely that no one outside of Iran, possibly outside of her immediate community, would have heard of her murder. Instead, she became seen as a symbol of the Iranian protests, even as a martyr.

I was at a panel discussion about social media in repressive regimes a while back with Kevin, and an Egyptian blogger told of how even his friends and family did not want to believe that the police were abusing prisoners until a video of such abuse ended up on YouTube. We might not like it, but unfortunately it can be an important not just in rallying protestors but also as documentary evidence to persuade others.

There is even now a graduate scholarship at the University of Oxford named after Neda so there is hope that, both in Iran and outside, her death was not meaningless.

The key thing that Carr forgets is that what is unacceptable in our relatively safe societies may be necessary in oppressive regimes. Tools we use for play here can be used for survival elsewhere.

More fundamental questions, about whether or not it is right for journalists to stand back and record events instead of intervening to try to save people’s lives is a discussion that has been ongoing for decades. I don’t think that it’s one that’s going to be solved any time soon, either, as there are compelling arguments for and against.

What we should do as individuals, though, when we are confronted by such events is a question worth examining, by each of us and in the frame of our own capabilities. I think most people would try to help and wouldn’t even think about taking photos or video; others would try to help and then think about recording events when the helping is done; and yet others simply won’t be able to help and will only be able to record. Should we criticise and demonise those who record the events around them in a way we don’t approve? Or is it a question for individuals to decide for themselves?

Paul Carr’s main point appears to be that citizen journalists can’t get stuff right, so they should shut up, and those that record events instead of helping to save lives should be ripped a new one. Yet his main assertions are unsupported by the facts, his interpretation riddled with holes and his straw men pathetically easy to demolish.

There are interesting debates to be had about technology, social media, citizen journalism and eye witness accounts, but sadly Carr’s post touches on none of them in any meaningful way. I am befuddled as to why people on Twitter are seizing on it as breaking new ground, as it simply doesn’t.

links for 2009-11-08

Cars: There’s an app for that

Suw and I are taking two weeks off. Most of the time, we’ll be here in London enjoying a holi-stay. I might engage in some deep-thought blogging after recovering from a really too busy 2009. In the meantime, I’ll just engage in a little light coolhunting.

Someone recently was picking my brain about the future of in-car technology. I think that one of the knock-on effects of the iPhone is that people will expect apps and add-on services in a wider range of consumer electronics. Cars will not just have on-board computers to manage the engine but also on-board computers to navigate, entertain and inform much as we would expect in our home.

Hobbyists have already been adding these kind of systems to their cars for years, and Prius drivers love to hack their hybrid cars. High-end cars have complex environmental and entertainment systems, but we’re starting to glimpse how these activities will filter into the mainstream.

Satellite radio services in the US have been using some of their surplus bandwidth to provide information services, and with 4G data services such as WiMax and LTE service expanding in the next few years, mobile data will provide the kind of bandwidth that we’ve previously thought of as restricted to DSL and cable. Faster wireless connections will bring new forms of entertainment, expand the use of web services and provide new opportunities for information providers.

GigaOm has a great post on a prototype system in a Prius.

As a journalist, the question is whether news organisations will let another opportunity slip by them.

links for 2009-11-04

  • Kevin: There is a lot to the launch of the Texas Tribune, and there are some impressive web-native aspects of it as Martin Langeveld writes at Nieman Lab. The TribWire and TweetWire bring together some excellent aggregation, something that most mainstream outlets have failed to do. They have a Datablog, much like the Guardian where I work, as well as data and document repositories. They also have Topic pages. Look at the post for all of the features. In terms of revneue, they also have the Texas Weekly political e-newsletter available for an annual subscription of $250.
    This is not a replacement for a general purpose newspaper but a rather a statewide version of Politico, a highly focused news service.
  • Kevin: Mark Sweeney of the Media Guardian writes: "National newspaper groups need to persuade less than 5% of their internet audience to pay for online content to make a success of moving away from relying on digital advertising, according to a private equity financier.

    Dharmash Mistry, a former senior Emap executive who is now a partner at private equity firm Balderton Capital, told MediaGuardian.co.uk that getting about 3% to 4% of an online audience of a national newspaper to pay a modest £3 a month would cover the entire annual digital advertising revenue he estimated most groups currently make."

    Dharmash Mistry, a former senior Emap executive who is now a partner at private equity firm Balderton Capital"

  • Kevin: David Armano is part of the founding team at Dachis Group, an Austin based consultancy, makes some predictions for social media and 2010. Mobile. Location. Social media policies at companies that are enforced. Not a whole lot earth shattering here, but it is worth a look.
  • Kevin: GlobalPost expects to generate $1 million in revenue this year and $3 million next, reported Nieman Lab, from notes taken by Bill Densmore at a seminar organised by the Joan Shorenstein Center at Harvard, entitled "How to Make Money in News: New Business Models for the 21st Century."
    I'll be looking for a breakdown on how much revenue comes from advertising, syndication and their membership scheme. The site currently only has 500 paying members so I would expect that part of the revenue picture to be relatively small. I'd also be interested to see how it is working out for individual journalists working for the site.

links for 2009-11-03

  • Kevin: GlobalPost expects to generate $1 million in revenue this year and $3 million next, reported Nieman Lab, from notes taken by Bill Densmore at a seminar organised by the Joan Shorenstein Center at Harvard, entitled "How to Make Money in News: New Business Models for the 21st Century."
    I'll be looking for a breakdown on how much revenue comes from advertising, syndication and their membership scheme. The site currently only has 500 paying members so I would expect that part of the revenue picture to be relatively small. I'd also be interested to see how it is working out for individual journalists working for the site.
  • Kevin: Chicago is turning into a very interesting laboratory for new news models. The Chicago News Co-operative and reconstituted ChiTown Daily are pursuing different models. ChiTown Daily tried to pursue grant-based online model and has switched to a print tabloid focusing on 'City Hall', Chicago city politics. Both the ChiTown Daily and the Chicago News Co-operative will be focusing on City Hall "and and other big institutions that dominate civic life in Chicago".
    I am sure that they can find some success, but unless they connect with readers beyond these institutions (which they seem to have a plan to do), I can't see them being anything but niche players.

links for 2009-11-02

  • Kevin: A graph showing the circulation of major US newspapers over the last two decades. It's an interesting visual, but as people in the comments say (or speculate about), we don't really have a sense of what drove this. Is it the Huffington Post? Google News? Issues of coverage, trust and politics? The graph is grim reading for anyone working at these major US metro newspapers. However, it's a graph that gives rise to more questions than it answers.
  • Kevin: Richard MacManus of ReadWriteWeb looks into the details of a report from ChangeWave in the US. I'm assuming that this is for the US market and not the global market. Their research shows a surge in Apple iPhone versus Research in Motion's (RIM) Blackberry in the consumer market. The most important data in this report is really about customer satisfaction. Apple's iPhone is miles ahead of the competition with 74% of customers saying they are very satisfied versus 43% for RIM, 33% for Palm, 32% for Motorola and 29% for Nokia and Samsung.
  • Kevin: Layar is Dutch augmented reality company whose application runs on Android devices, iPhone and as of last week, Symbian Nokia. Augmented reality layers extra information on top of the view based on information from the GPS, compass and accelerometer in smartphones. The company looks to have closed $1m in funding.
  • Kevin: Staci Kramer reports: "One of the longest-running guessing games for New York Times insiders and observers may be nearing an end: will the paper charge again for content online and what form would a pay program take? Now after months of deliberation, Executive Editor Bill Keller tells Public Editor Clark Hoyt he guesses a decision is coming “within a matter of weeks.” And yet it doesn’t sound like he sees a straight path to that decision: 'It’s a much tougher, more complicated decision than it seems to all the armchair experts. There is no clear consensus on the right way to go.'"
  • Kevin: "Google Wave is a new web-based collaboration tool that's notoriously difficult to understand. This guide will help. "

links for 2009-10-31

Playful 09

I’m at Playful ’09 today. I’m not going to be taking verbatim notes, as is my usual habit, but instead just jotting down a few random notes.

Roo Reynolds
Films based on games, often not very good. Minesweeper film trailer (from College Trailer). The only good film from a game is Tron.

Leila Johnston
Wrote Enemy of Chaos, adventure book written for the aging nerd market, not many books for that demographic. Character believes “Obsessive regulation might stave off decay” [sounds like our government].

Kareem Ettouney
How do large teams collaborate? Given bands, with four people in, struggle to get along. It’s actually quite hard to encourage collaboration. His company started with five people, everyone “had the moans”, critical of past employers. As soon as you start hiring talented people, how do you minimise the moans? People are using 2% of their talent and feel unfulfilled, want to do more. How do you increase their input, get a level of ownership that doesn’t create a mishmash. Traditional pyramid structure with specialists to produce work does function ok, old school model. But when you start working with exceptional people, you remember how you used to feel when no one was listening to your ideas.

So started to talk about ownership. Get people to own – means that there’s a responsibility and accountability, that’s the price. Share the problem, let people have ideas, but the hard part is to give your idea time, investigate it, present it. Email thread is not enough, if you want to own your area, earn it. People love the responsibility. Preconception was that the important bit was the ideas, but that leads to incoherence.

But when you share pragmatic aspects, e.g. deadlines, selling to clients, that allows people to rise to the job. No more old-school artistic direction any more, doesn’t work. Shift artistic director role from mastermind to matchmaker, trying to match skills. Share the journey. Harder than the pyramid style. Important too to have personal projects – makes you less precious. Downside of creativity is becoming precious and losing objectivity, because it hurts. Healthy to have your own avenue. If something doesn’t come out at work, it has to come out somewhere else and better it comes out in your own project, if it doesn’t it clouds your thinking. Companies who say, “Everything you do we own” are shooting themselves in their foot, because their staff are jaded.

Daniel Soltis
Tinker-it. Important to get people to feel that they can take something, like a radio, apart and do stuff with it, and change the way that they relate to it. Made a weekend-long immersive street-game. There are tech problems with games – keeping track of players, game state etc. Then iPhone came out, which changes everything. But walking around starting at an iPhone screen is not really all that great. No tactile pleasures as with game pieces. Cross-over between traditional tactile items and tech, e.g. GPS puzzle box that only opened when in the right place, was made as a wedding present.

Lucy Wurstlin
“Play is nature’s training for life. No community can infringe that right without doing deep and enduring harm to the minds and bodies of its citizens” – David Lloyd George.

Play or Die. 4iP. Education via games and technology.

Robin Burkinshaw with Matt Locke
Robin create two Simms characters, Alice and Kev. These are homeless characters: Kev is a drunken looser, Alice is his daughter. Set personality traits in Simms to negative traits, like quick to anger, says inappropriate things. Gave Kev the goal to try and date 10 other characters – impossible given character traits. Game turned into a moving storyline around homelessness.

James Bridle
Awesomeness more important than innovation. Awesome should be proper, God-fearing awe, in a “Space is big” way. Chap who did an illustration for every page of Thomas Pynchon’s Gravity’s Rainbow. Another chap, Tom Phillips, who found a Victorian novel and is drawing on every page, pulling out a hidden possible narrative. Heath Robinson, “I really have a secret satisfaction in being considered rather mad”. Heath Robinson was also name of the precursor to the Colossus computer that helped break the Enigma code.

Babbage, first great weird machine builder. Although he never build his Difference Engine. Wasn’t capable to build it, wasn’t sure it would work, never got funding, but did build bits to demonstrate his theory of miracles: He believed that miracles were just very very unlikely events. Would get his guests to crank the handle of his device at dinner parties to try and demonstrate unlikely events. Calculated odds of the Resurrection – said it wasn’t a miracle just very unlikely. Wrote to Tennyson about The Vision of Sin to correct his poem about birth and death rates. Started designing a Naughts and Crosses engine, analysed the game, and thought he could do it – maybe he could finance the Different Engine if he built a Naughts and Crosses machine.

People have build a Naughts and Crosses engine – MENACE. Was done by one of the Bletchley Park code breakers. Built a computer out of match boxes. Machine could learn – it had beads inside that correspond to each possible move, and you take beads out of failed moves and put them into successful boxes. James built it… lots of matchboxes and beads (well, beans, as ran out of beads).

Go. Simple rules, but very complex to play. Very hard to model on a computer. Tried to calculate how many matchboxes needed to model Go. 304 needed for OX, with 10 beads. Go would need 3.4 x 10^15 matchboxes, each with 3610 beads in each matchbox, each being 18m^2. If you built it, it would be slightly larger than the Crab Nebula.

Katy Lindemann
Would love to talk about robots, but is going to talk about behaviour change. (And robots.)

There was a game where little robots, which needed to cross New York but could not get there without help from humans. For months, none of them got lost because New Yorkers took care of the robots.

Japanese have a tradition of play and robots, very hopeful, love tech and excited about the future of technology.

But these weren’t designed to change behaviour. Play is fundamental to culture and society. Playing is how we learn and grow up. How can we use playful design and experience to actively encourage behaviour change. Games are a gateway drug to learning. But not necessarily best way to change behaviour. How can we game real life and make the every day, mundane things through play. High Scores. Integration about high scores, interesting way to get people to change behaviour.

E.g. housework. Japanese are building a house robot to do the cleaning, but meantime we’ll have to find something else to motivate. ChoreWars – get experience points the more housework you do.

Encourage more efficient driving. Turn it into a game. Fiat EcoDrive: USB stick in car monitors driving behaviour and then analyse on computer. Gives tips. Can set targets, can better own scores, can share scores with others. Collectively shows CO2 emissions.

Getting diabetics to regularly check blood sugar is tough. Digit, glucose monitor that attaches to Nintendo DS. Rewards good behaviour.

But it’s not all about scores. Sometimes it’s just making it fun. Fun makes it easier to rewire the brain. A lot of democracy stuff is not fun – petitions, writing to MP. How do you give kids a voice? Making it ‘cool’ doesn’t give you the sense that you’re being listened to. No pay off.

Writing robot, in Houses of Parliament, could let people write stuff, and Twitter it, and it’d be written out at HoP.

How to get people to exercise more? We know what we should be doing, but don’t do it. Make it fun. Dance Dance Revolution. Schools in US include DDR in their PE lessons. Wii Fit approved by Dept of Health.

But also make everyday stuff fun. About taking the stairs. [Reminds me of the “racing up the stairs to the 11th floor” wiki page we had at DrKW, as was]. This project turns a staircase into a piano. 66% more people chose to use the stairs than normal.

Recycling. Firstly, make it easier, change the infrastructure. But not enough. Pay for recycling? If you stop paying, will people stop recycling. Bottle Bank Arcade – was used 100 times, where nearby conventional bottle bank was used twice.

Tassos Stevens
The Ashes. It’s all about the question, “What happens next?” If you see someone throw a ball to someone else, can you turn away before you see if they’ve caught it?

Sport generally have simple dynamics. Cricket a bit more complex. Ashes decided over two months, no one can watch it all, gives you permission to miss stuff. Punctuated play, and gaps lets you talk about things. Cricket is unclear even who is winning until the end. Lets people tell each other stories, as the potential imagined outcome shifts. Result can be determined by Acts of God – the weather. Strong tribalism too.

Russell Davies
Two types of model railways: ones that try to replicate the world, and ones that put the railway in their garden where you can’t try to replicate anything, building a bubble of suspense. Bubble building vs. world building.

Barely games: collecting, negotiation, pretending, inattention. Most important is pretending. Never hear enough about pretending.

Mornington Crescent, is pretending to be a game, but because it seems like a game it’s almost better than a game.

Collecting: Pokemon. Game you’re supposed to be playing is way too complex, so make up your own, like Top Trumps. Noticing game. About negotiation.

Collecting things is great for pretending. Works when you’re a kid, but good for adults too. We do pretend, all the time.

Luxury items are pretending items, can’t get the case with the machine gun in parts… but you can get a barbeque set.

Pretending metaphor breaks down if it’s too obvious. Computer desk top is… like a desk. 3D Mailbox trying to make email fun, “Every message is a jumbo jet”. Why aren’t we using it? Because it’s tone deaf. Not subtle.

Need to bury the pretending detail, so it’s not in your face.

Lots of games are quite demanding, want us to pay attention and touch the screen. Want to pay attention to the world.

What would a barely game app involved:

– Walking around, i.e. not looking at the screen
– Uncertain or socially decided rules
– Things that either can be useful or stupid
– High pretending value

SAP – Situated audio platform, audio stuff that’s related to geolocation.

Molly Range
Two ways of telling a story: One tells and others listen and react; or everyone co-creates. Scandinavian story telling tends towards co-creation. Opens up to experimental productions. Scandinavians go “beyond fun” to use play for political protest or learning. Engage people, bring new perspectives, create change. But lack standardised way to prove the value of play to people outside of gaming.

Duncan Gough
Kes – film about a boy called Billy Casper, filmed in ’69 by Ken Loach. Bit of a feral kid who finds a kestrel, finds the nest and steals a baby kestrel. Firm roots in theatre and radio plays.

Storytelling has developed, e.g. The Wire. Episode, seasons, story arcs and box sets with developments on all scales.

Language of games.

Stand-alone vs ongoing story
Serial and serial quests in MMOs
What would it be like to play Friends, or The Wire?

Fictive worlds – like virtual worlds or MMOs, but more story based. Sense of player vs environment, bringing a story like Kes to life. Adventure games, if you stand still nothing happens in the world, but you want the world to carry on without you. Want the world to be active, living.

Branching narratives aren’t scalable. But decisions must have consequences.

Prior art? 80s was a classic era for children’s TV drama. BBC was concerned that kids would leave TV for games and the web. Kids TV, e.g. Press Gang about a school newspaper, and Running Scared, about a girl on the run from gangsters. No archives of them though – no way to go and watch them again.

Sad, but a good opportunity for a golden age of gaming to happen. Looking for

– web-based fictive world
– simple, directed story
– interactive, allegorical

Alfie Dennen & Paula le Dieu
Bus Top – city-wide network of programmable LED panels on the top of bus stops, one at least in every London Borough, open API.

Want to let the public actually take part in public art as usually they don’t get the chance.

Routes and pebbles — routes might have 5 or 6 installations, and the pebbles are individual panels. Creates a giant canvas. What stories can be told? What sort of visual narrative?

Will be able to use things like Flickr, Twitter, their API and an online tool to interact with the panels. Very lo-fi, pixelate experience. Canvas will be live for 12 months leading up to and through Olympics.

Rex Crowle
Likes wonky drawing, doodling. People get hung up on drawing and expressing themselves and worry that what they are creating is somehow wrong.
Now works for Little Big Planet – game that’s not finished until people are playing it and making stuff. Customise the character, the world, the soundtrack. Internet makes it much more flexible, and you can fix flaws after launch.

Simon Oliver
Makes games for the iPhone.

How do you design fun? Top-down game design is hard. Prototyping works – find the fun.

Simplicity. Games controllers got more and more complex, and that scares people off if they aren’t familiar. iPhone interface is much simpler and instinctive. If it’s too complex or not fun, chuck it.

Tim Wright
Life’s ambition: To play golf on the Moon with David Bowie.

Read Kidnapped by Robert Louise Stephenson, which features a shipwreck and a walk from Mull to Edinburgh. Book says shipwreck happened on June 29th, and arrived in Edinburgh on August 24th.

Is it possible to walk the same walk as the book in that time?

Kidmapped – recreating the walk, podcasting and mapping the way. Put the whole book up on a wiki, chunked by day and could then comment on it. Read the book out in the locations it was setting. Other people came out to read too. Became not just about the book, but also about the landscape.

Also ended up being sent poetry, art, and ended up playing golf up the mountain.

Writers create maps and date travels through them all the time, so why not, as readers, recreate those journeys?

Chris O’Shea
Interaction design.

We work too much and lose our sense of play.

What if you could see through walls? Installation that uses infrared torch and a projector to mimic seeing through walls.

“Flap to Freedom” remote controlled chickens that people thought they were controlling by flapping their arms. Forget about looking silly and have fun.

Mirror installation where the mirrors will self-arrange to reflect your face back to you, and move as you move. Similar one with police car beacons that turn to face you as you walk amongst them.

Social experiences. Let people play together.

Researchers determine mainstream online journalism still mainstream

In a shocking (possibly only to the researchers) conclusion, a study of major media online journalism newsrooms in the UK has discovered that they follow a relatively narrow mainstream agenda. I think that is a fair summary of an interview on Radio 4 with Dr Natalie Fenton from Goldsmith University Media Research Centre in London speaking about her book New Media, Old News: Journalism and Democracy in the Digital Age. From the synopsis on Radio 4, “Dr Natalie Fenton from Goldsmith’s University in London, … argues that instead of democratising information, the internet has narrowed our horizons.”

I haven’t read the book, seeing as the release date on Amazon is tomorrow. I am sure that book covers the themes in greater depth in what can be covered in a couple of minutes on radio, but I found the interview infuriating.

Dr Fenton and her researchers looked at three online newsrooms, two of which I’ve worked in: the BBC News Website, the Guardian and the Manchester Evening News. I might have to pick up a copy and see if her researchers’ interviews with me are reflected in the book.

First, I would say the book was out of date a year ago based on changes here at the Guardian. We were just beginning our print-online integration. We are still going through the process, as are many newsrooms, but one thing we have done is combined web and print production as much as possible to not only reduce duplication of effort and work around re-purposing print content. This frees up journalists to do journalism and not just ‘copy and pasting’ as Dr Fenton puts it in her interview.

Secondly, I think her conclusions, as expressed in the interview, are undermined by a selection bias. As Charlie Beckett at Polis at LSE says in a blog post from a year ago when they unveiled their draft conclusions, there are problems with the methodology of the study and some of the assumptions underpinning the research. Dr Fenton comes to conclusions about online journalism based on research from three newsrooms connected to traditional news organisations. Is it really all that surprising that she finds their agendas in line with mainstream media organisations? The news environment is much more complex outside of most newsrooms these days than inside, which is one of the problems with the news industry. By condemning online journalism at traditional organisations as focusing on a narrow agenda as Dr Fenton does in the interview, isn’t this more accurately an indictment of the narrow agenda of the mainstream media seeing as the websites track closely the agenda of the legacy media be it broadcast or print?

Thirdly, online news operations connected to traditional news organisations have never had a major stand-alone newsgathering facility. The BBC News website once did have some original newsgathering capacity. I was their reporter in Washington. However, most of the newsgathering capacity rested with television and radio journalists whose work was re-purposed for the website. The situation is more complex at the Guardian now. We produce more web-only content during the week than we do print-only content.

Fourthly, Dr Fenton says that online staff are desk bound, and online newsrooms rely on “less journalists with less time to do proper investigative journalism”. Can we have some perspective on investigative journalism please? Really. Fighting to perserve investigative journalism and investigative journalism only is like trying to save the auto industry by fighting in the name of Porsche. Investigative journalism has always been the pinnacle of our craft, not its totality. It’s important, but investigative journalism was a fraction of pre-digital journalistic output. Again, if Dr Fenton has an issue with lack of investigations, then it’s an issue to take up with the organisation as a whole, not the online newsroom. Having said that, I’ll stand by the Guardian’s investigative output online and off: MPs expenses crowdsouring, Datablog, Trafigura, just to name a few Guardian investigations and innovations here in 2009.

Lastly, I think the narrow frame completely ignores the work of digital pioneers who are constantly pushing the boundaries of journalism. I think of the Guardian’s Matthew Weaver and his live digital coverage of the G20 protests this spring and his recent project to track post during the strike using GPS transmitters. I think of the Guardian’s Simon Jeffery with his recent People’s History of the Internet and the Faces of the Dead and Detained in Iran project as other examples of excellent digital journalism, journalism only possible online. I think of the work that my good friend Chris Vallance has done with BBC 5Live’s Pods and Blogs and iPM on Radio 4. I think of the many projects that I’ve been proud to work on at the BBC and the Guardian. Chris and I brought the voices of those fleeing Hurricane Katrina to the radio and also US soldiers fighting the war in Iraq radio audiences through creative use of the internet. I consider myself primarily an online journalist, but I’ve been working across multiple media for more than 10 years now. I covered the Microsoft anti-trust trial for the BBC News website, BBC radio and television. I’ve done webcasts from the 29th story of a building overlooking Ground Zero three months after the 11 September 2001 attacks. I tweeted from the celebrations of Barack Obama’s victory outside the White House after a 4000 social media-driven month of coverage of the historic 2008 US presidential election. Online journalism isn’t perfect, and it reflects imperfections in traditional journalism. However, in the hands of a good journalist, digital journalism offers up radical new opportunities to tell stories and bring them to new audiences.

My experiences and my career aren’t representative of the industry. I have been doing original journalism online for more than a decade. That is rare, and I’ll be the first to admit it. I lost a lot of colleagues in the dot.com crash when newspapers and broadcasters slashed online budgets. After an interview with the late ABC News anchor Peter Jennings in 2002 on the one year anniversary of 11 September attacks, he took us on a tour of their much slimmed online newsroom. He spoke with pride about the work of the online staff, but he said, “The Mouse (Disney, ABC’s parent company)” didn’t see it that way and continued to make deep cuts.

In 2009, the picture is much different. Print and broadcast journalists are doing more original work online. We have more online-focused journalists than even when Dr Fenton was doing her research. Journalists cast off by ailing journalism institutions are re-launching their careers on the web.

I chose the internet to be my primarily journalistic platform in 1996. I chose it because I saw unique opportunities for journalism. When I did, it was a lonely choice. I faced a lot of prejudice from print journalists who based their views on lack of knowledge and fear. A passion for the medium kept me going despite some of that prejudice. Everyday I get up and help push a unique medium just a further journalistically. (To their credit, my colleagues at the BBC in radio and television told me almost on a daily basis with respect and admiration how I was the future of journalism.)

These prejudices against online journalism are parroted by Dr Fenton in her interview, which I guess is one of the reasons that it made my blood boil. I hope the book paints the reality in a bit more complexity than was possible in a few minutes on air. I hope that she includes some broader examples of how online journalists do original journalism that can’t be done in any other media. However, if the interview on Radio 4 is representative of the book, it’s a reality I don’t recognise. Bad journalism begins with a thesis which never adapts to new information. It’s the same with bad research.

links for 2009-10-30

  • Kevin: German publishers have accused Google and other internet companies of exploiting their content to build lucrative businesses and have failed to share the rewards. The new ruling coalition of Chancellor Angela Merkel's Christian Democrats and the business-friendly, liberal Free Democratic Party have "pledged to create a new kind of copyright to protect online journalism". "Details of how the proposal would work have not been spelled out, but publishing executives say one possibility would be to require a license for any commercial use of published material online." Private, noncommercial use of news articles would remain unrestricted. Good luck determining private, noncommercial use. I'm a professional journalist. Would posting content on my personal blog be considered noncommercial or as an extension of my work?
    There is something troubling about this article in that it starts to muddle a proposal for licencing for online journalism and 'piracy' of films and music.
  • Kevin: Very significant ruling in the UK. British regional press publisher Newsquest (a division of US-based Gannett) has obtained a potentially significant court ruling on the issue of how far they are protected from legal action over user-generated web content. "Newsquest says the High Court judgement clarifies for the first time that newspaper websites hosting user-generated content are, subject to certain conditions, protected from liability. The ruling suggests that publishers cannot be held responsible for potentially libellous material posted by website users so long as it is removed as soon as possible."
  • Kevin: Mary Turck works with training citizen journalists for the Twin Cities Daily Planet. She gives five tips and directs you to other resources they have developed in the training process. "We have created twenty very short lessons on topics ranging from focusing a story to transparency to best practices for quotations and paraphrases."