Business

Last night I went to Euan Semple‘s event to launch his book, Organizations Don’t Tweet, People Do, at the British Library. It was the first time I’ve live-blogged an event in ages, a skill I’m going to have to polish up a bit before Le Web London in June, hence the lag in getting this up on the blog. 

The event took for form of a conversation between Richard Sambrook (RS) and Euan (ES), which I have attempted to capture as faithfully as I can, but of course much of this is paraphrasing especially the questions. 

RS: Why do people Tweet, not organisations?  

ES: Got fed up of marketing folk doing 140 character press releases, felt intrusive, into what is a personal space. Surprised at industrialisation, it’s turned into a thing that can be bought and sold. But even if someone else does it for you, it’s still a person tweeting. Some corps are good, e.g Virgin Airways, they give a name, they’re open about the fact that there’s a person there. 

RS: Why is that important? 

ES: It’s important because we’ve lost our voices, having been part of the BBC for as long as I was, we’ve outsourced our storytelling to other people, our sense-making. We wait for others to tell us what to think, what’s right. Social media is giving us back the ability to tell our stories, and that’s very disruptive, and a lot of people are interested in assimilating it. A lot are making it just same-old same-old, and we’d lose a precious opportunity if we allowed that to happen. 

There’s a risk that some of us that ‘get it’ foist it on others, and that’s something we need to be wary of, so need to look at the opportunity. Once people grasp that opportunity a lot of the organisational norms we think are inevitable will turn out not to be. 

RS: You’re clear this isn’t about tech, but about what it enables. What is that? 

ES: We don’t have to all be the same, being different is what this relies on. If you end up with monoculture, you haven’t shifted things very far. Er, what was the question again?

RS: What is the cultural change? What makes it different? 

ES: This is more of the social changes that are happening anyway that the tech is enhancing, or speeding up. Tech appears when you’re ready, and I feel that the corporate period, the industrial then the corporate world that so many of us get sucked into and think that’s just what you do, have assumed that that’s what the world has to be. It’s infantilised us. At the BBC there was a divide between the infants and the grown-ups. So many big things, like democracy, are struggling, the financial world is struggling. And we have an unique opportunity – these phase shifts don’t happen often – to be part of something. That’s why I got into blogging, my kids will be into this more than I am, and if it’s going to be habitable we have to make it habitable. 

RS: You started from a position in Knowledge Management. 

ES: Twitch twitch

RS: But that’s a lot of what social media is used or these days. 

ES: And I’m going to have to get used to it, going to have to get over my discomfort with it. 

RS: What was the problem with KM? What was your epiphany? 

ES: It came out of my time at the World Service, as a studio manager I moved between the 30/40 different studios, and met a lot of people from different languages and cultures. The rest of the BBC was more tribal, silo’d, hierarchical and inefficient. Also the arrival of John Birt, but he took a sophisticated organisation and tried to plonk corporate ideas of efficiency on top of that and it didn’t always work. What I saw with the web was the opportunity of getting back some of those people-based ways of working that I’d seen before. Saw a virtual space, an organic online space that could flourish. 

RS: What were the benefits?

ES: We got into it long before anyone was calling it social media, and ended up, 25k staff had access to the forum. People had very practical problems about how to do things. A lot of small, low-level incremental stuff. Corporations go on about having strong corp culture, but then do anything to crush whatever emerges. Even just forums created more cultural change than official efforts. 

RS: What are the cultural benefits?

ES: Shared understanding of what we were doing and why. What did things mean? When the Freedom of Information Act became legislation, we had a good conversation about what that meant, and how to stick to that rule. 

Especially when you compare how that was ‘supposed’ to happen, via memos and official comms. If you tolerate the messiness of social spaces, people are at work and they want to talk about work. Treat them like grown ups then they’ll act like grown ups. 

RS: Lots of skepticism about self-organised spaces in business. There’s a limit?  

ES: yeah, it’s not  management by committee. It’s not bottom up, there’s as much value and interest in the senior and middle of an organisation using this. Shift from command and control, where people have authority due to job title, to having the ability to influence people through using these tools. The middle reasserts itself. There’s a role for middle management, and a chance to be more effective through using these tools. More senior folk are asking for help because they realise it’s not going away and there’s an advantage for them. 

RS: “Return on Investment”. That’s the wrong way to think about it, isn’t it?

ES: Yes, this is something that’s happening anyway. Don’t overplay Gen X/Y, but they’re growing up with this. So rather than ask to justify RoI for implementing it, justify RoI for preventing it. 

RS: What answers do you get when you ask them to justify preventing it?

ES: They don’t have any. There are people with non-trivial reasons why this stuff is hard, but ultimately they are going to have to face these issues and work with it. 

RS: How do you implement change in this way or, as you say in the book, “be strategically tactical”? 

ES: There’s a pressure on people to lay out a predictable, strategised future, and that’s not easy. Can make a case to be strategically tactical, ie you have guiding principles, but are willing to respond as this thing grows. ”Keep moving, stay in touch, head for the high ground.”

RS. “A new literacy.” What does that mean? 

ES: Remember having pressure to have to write a formal document, knowing no one would read it. Also that temptation you learn at school to write formally, to write management bollocks. Lots of people write this stuff, send it to each other, don’t read it, and are filling their days up with it. Whereas a well-aimed blog post and Tweet can change the world. People who read the book have said that it “felt like me talking to them”, skill you learn blogging.

RS: It’s finding an authentic voice. 

ES: I don’t’ care about orgs, I care about people, and that therapeutic element is interesting. Just that self-awareness you get from sticking things out there and seeing people’s reaction and learning to deal with that, and deal with people disagreeing with you. We’ve all got things we’re not comfortable with, but that thing about sitting in your room, about to publish blog post, wondering what people will think about it… That’s why the blogs called ‘The Obvious’, but that leads to this, writing a book, because you started off sticking things out there. 

RS: What’s the power of that? 

ES: Goes back to KM. Value of a company is the people, and the knowledge of those people, and we’re not good at giving them ability to make the most of people. Freeing people to be themselves and connect with each other. Ideal org, everyone blogs, not overdoing it, and thoughtful engagement, got to be productive. 

RS: Talk about ‘networks’, what do you mean by it? 

ES: It’s ‘community’ that I think gets misused a lot. Shift from institutional structured power, which has always been accompanied by networks, & relationships but  legitimising that, making it visible and accountable. I’m not overly idealistic, because we have hierarchies, they are inevitably human, but move towards ephemeral meritocracies. 

RS: David Weinberger, if we don’t have networks, we can’t cope. The world is too big to know.               

ES: The idea you’re in charge and should know everything is unsustainable. Change in what is leadership. Those who are good at working with others, building networks will be more effective than someone throwing weight around. 

RS: Radical transparency, can be scary for orgs to embrace. Asks a lot of the observers, need a new literacy. 

ES: Interesting in the journalism, the responsibility of that double sided relationship. Sometimes people push back and say not everyone wants to think, that I’m being unreasonable. We just got them that way because we trained them that way. In the right circumstances, everyone wants to take responsibility for their lives. 

RS: How do you sell radical transparency?

ES: By quoting Dave Winer: “Don’t have a shit product”. That’s what was interesting about Wikileaks – there’s a degree to which tech makes it hard to put a lid on things. Equally, that doesn’t mean we end up with a good outcome, because it can be used by the bad guys as much as the good guys. Can’t be naive about the competitive world they live in. 

RS: The whole privacy debate.

ES: There’s that. Issue with indiscretion, that’s a cultural shift, that’ll change. The whole thing about the people who won’t employ people who were drunk as a student. Well, I wouldn’t employ someone who hadn’t been! There’s something cleansing. It’s evolution on steroids. It’s not about age or web natives, it’s about open or closed. This is open, generative, so appeals to people who see the world that way. People who want to contain things, it’s their worst nightmare. 

RS: End book on blog post about love. Are you basically in favour of love, through the work place? You’re an ageing hippy? 

ES: Yes, except I wasn’t there the first time round! These techs have come out of ageing hippies in California and they manifest some of those ideas in their software. There’s an ebb and flow between control and release. We need a big story. Until WWI it was the church, then that fell apart and so the next one became communism, and then that becomes capitalism and the market, and we need… 

RS: This is the emergence of the next story? 

ES: I think so. 

 

Questions 

Talk about signal to noise, we’re a long way from semantic web, but getting there with hashtags. Did you leave it out on purpose? 

ES: Wary of the semantic web. What happens when you die? Should read Lessig’s Code, there are ways in which Facebook, Google etc impact how we can live our lives, has huge impact on those who don’t understand. Wary of automating, prefer the ability to point and say ‘that’s interesting because’. Goes back into knowledge management, the idea of harvesting information, haghstags are great because they are ephemeral and they come and go. Rather that than getting into semantic web. 

How does this affect social businesses, does that lead to them being more socially responsible? 

ES: Yes. Worked with some orgs I’ve been uncomfortable with, but have done so on the basis that if can help them get their arms round it, e.g. if banks had this before the dodgy mortgages, they might not have done it. Or selling food full of sugar. A lot of these things start because we have too small of a group taking responsibility for their business actions. What if people inside an org take responsibility for their actions?

If you’re right about social media democratising, why is Apple so successful? 

ES: If I had a penny for every time someone asked that. Some of the stories about how they work inside, they do give staff high degree of autonomy, happy to reshape and reinvent, so yes they’re not all over these tools, but they had 20-30 years of being the underdog who couldn’t afford to let ideas slip. In many ways, Apple aren’t typical. 

Dilbert Principle is best management book ever written. Youngsters empowered, they will bring their networks into the workplace. 

ES: Kids don’t alway know what a powerful took they have at their fingertips, and some kids are very conservative.  

A lot of the point of tools is to be more interesting face-to-face, not less. Interesting using location stuff, whether choose to turn it on, or not to. Almost like turning up/down a serendipity knob. 

In big orgs, have some areas that are bureaucratic than others, and need to consider legal implications. Doesn’t that lead to lumpy engagement, and tension between expectation of engagement, when not everyone is comfortable or able?

ES:  Not everyone will like it or take to it and shouldn’t dismiss those who don’t. Bus also how those groups manifest their responsibilities. e.g. using tools to talk about security is more likely to make your org secure. HR, IT and comms should be excited, but they aren’t. When you consider what they are meant to be doing, but they are stuck in places where they are more worried about status and formal stuff which is becoming less and less effective. 

For example, Head of HR for BBC came into office to do a live chat on the forum, 5k staff taking part. He and his team huddled to discuss what they’d answer, and then someone typed it in by dictation, but then he disagreed in what they’d typed. Conversational platform, tension was palpable, between live conversation and controlled process. Trick is to learn to migrate from one to the other. 

Want people to find a voice, but have they lost ability to listen and find a dialogue with colleagues? 

ES: Blogging, how you can write a blog post in such a way that it encourages people to react or respond, and turn it into a dialogue? If your’e just sitting there spouting stuff, unconcerned as to reaction of feedback, people will stop reading you. Conversations can only take place between equals. If this is a conversational platform, have to be willing to act like equals. 

Blogging, 3/4 paras to get people thinking, is different to ephemera of Twitter or Facebook, and it’s my blog! I can move it anywhere!

Interesting in future, and patterns that will emerge. Algorithms mining algorithms. Count on researchers to understand and analyse, compounded by fact that the dataset not published. Even thinking about Twitter, results are only available for a few days. 

ES: Thinkup, Gina Trapani, tools, if there’s enough of a demand people will come up with a tool and start paying for it. Wanted to save and search Twitter. Ephemeral nature is interesting. Genuinely worry that might be the first generation to leave not trace, no big manuscripts, just incompatible file formats. Which is why I use plain text, because I can move it effortlessly from one platform to the next.  

Worked with people good with numbers, but can’t do much with words. What hope to they have, where the winners are the wordiest? What about the value they create? Everything is about prose.

ES: We have an unbalanced world atm, people who are good face to face, so this isn’t perfect but it’s differently imperfect so slightly more equitable. 

You once said it is a slow process to introduce social media, change people one at at time. Has that changed?  

ES: No. How long to take full impact? 50 years. It’s impact will be that big and a lot of people as still early days. Been going for 11 years, but it’s still new to a lot of people. They don’t know. It’s shoe leather, have to give people – one at a time – enough reason to have a go, and that’s through conversation and advocacy. Build a network of advocacy, that’s what’s fascinating – world changing but only happens when someone sits down, writes something and presses save. Book written for people to give to those in orgs to help them get it. 

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Reuters Institute fellow Rasmus Kleis Nielsen has a great post on the blogs at Reuters warning European journalism start-ups to avoid surviving on advertising alone. He backs up his warning with some stark examples of start-ups who have failed due to meagre revenue they were able to earn on ads:

Advertising-supported online news production did not work for Netzeitung in Germany (which in 2009 shut down its newsroom after nine years of consecutive losses), did not work for Rue89 in France (impressive and innovative as it was, the site never broke even and was bought by the weekly newsmagazine Le Nouvel Observateur in 2011), and is not working for Il Post (widely considered one of the most promising startups in Italy, the site generated revenues of just 35,000 euros in its first year of operation, resulting in an operating loss of more than 150,000 euros out of a total budget of little more than 200,000 euros). Why should we expect it to work for other startups when all these widely praised ventures, and many more besides, failed to pull it off?

Ouch. Nielsen makes the broader point that the journalism start-ups are simply mimicking US models, when the US market is massive both in terms of population and ad spend compared to European markets, but he also makes some excellent points about how a glut of digital content has pushed down ad rates and kept them low. Those low rates aren’t just hitting start-ups but even established players. 

A lot of journalists are trying their hand at start-ups as they leave or are pushed out of the stable of big media. When I left The Guardian two years ago, Suw and I thought about pursuing a journalism start-up. We decided not to do it for several reasons, with the major one being, our start-up dreams were over-taken by media consultancy work. However, we thought long and hard about the revenue streams that would fund our start-up. We knew that ads alone wouldn’t cut it. 

Nielsen suggest that journalism start-ups look to how other non-content start-ups are diversifying their money mix by adding “digital subscriptions, donations, consultancy services, live events, event planning and e-commerce”. Honestly, I think for certain types of content, you could even mix consulting and content, although I know from personal experience that gets sticky. Journalism quickly meets the requirements of client confidentiality.

Regardless, if you’re launching a journalism start-up, make sure your content dreams are leavened with some thoughts of business reality. If you don’t have business planning experience, get some. Freelancers have always had to learn about marketing and the business side of journalism. It might feel a little weird at first. Just remember, you’re not working for the Man. You’re fighting for your own survival. 

I’m at NewsRewired again doing a bit of live(-ish) blogging about some of the talks that I find interesting.

Everyone wants to be The Economist because it has managed to increase both its print and digital subs over the last few years, and unlike most publishers, it has see its readership and revenue grow through the recession. Speaking at Journalism.co.uk’s NewsRewired conference*, he gave some insights into its success.

In the current environment, for any publication that acts like a filter the noisier the media environment gets the better you do.

Standage also sees The Economist brand this way that if someone was stranded on a desert island and had to choose one publication so that they believe they are informed that they would choose The Economist. That’s a great statement of how The Economist sees itself.

Their attitude to digital is that it is not a zero-sum game. About a third of their print readers are also using their digital apps. From their own market research, they realised that they needed to cater to their readers who wanted a digital experience for two reasons.

  1. Readers see digital as more convenient. The biggest reason that readers give when they cancel their print subscription to The Economist is that they don’t have enough time to read it.
  2. In their own market research, currently, readers prefer print to digital by a ratio of 80% to 20%, but asking them what they will prefer in two years.

Standage says:

We sell this content bundle, this feeling of being informed when you get to the end of it. That is what we sell. That is essentially the proposition. You can still sell this in a mobile environment.

Some observations: How many other publications have the clarity about what they provide? How many other publications have the clarity of the value proposition they offer?

Standage also gives us this nugget of golden insight. In the past, The Economist’s archive was hidden behind a paywall. The result:

Before 98% of our content was invisible to Google.

They have shifted to metered paywall similar to the Financial Times and the replicated by the New York Times. Any reader on the web gets 5 stories a week free to read. The Economist’s traffic actually went up. Some pay for a digital only subscription, but print subscribers get access to the digital content.

The metered paywall plus all access to print subs is a great model. You get users used to paying for digital.

He added this caveat. “This will not work for everyone. You need to know who your readers are.” He said that such a model would be difficult for The Guardian that sells most of their print copies through newsstands, and he said that The Guardian  doesn’t know about its readers. The Telegraph is starting to build a database of reader information, but he sees The Guardian as behind in this effort. (Any Guardian folk want to take issue with that?)

He closed by saying that there is not one new model but many new models. However, we’re beginning to find some ideas that work. They might require a change to your publishing business – especially in getting to know your readers much more – but we have some elements of a working model.

UPDATE: Adam Tinworth has live blogged this session and adds other details, especially with respect to the media app economy.

* Disclosure: I conduct data journalism courses for journalism.co.uk

I’m going to mix apples and oranges here a bit, mixing the US newspaper industry and the British industry. If you think that isn’t fair, then you can click away now.

Some have argued that the decline of newspapers has been down to a loss of trust. A couple of examples of that point of view. James O’Shea, a former editor of the Los Angeles Times said in 2008:

“(the) main problem journalism now faces is the lack of public trust in journalists.”

O’Shea feels that for newspapers to thrive and prosper they “have to figure out how to deliver journalism that makes the public believe we once again are a public trust, something of value and something they won’t hesitate to pay for.

When The Economist asked Jay Rosen last August what the biggest problem was with the news media in the US, he said:

Another example is the decline of trust. In the mid-1970s over 70% of Americans told Gallup they had a great deal or fair amount of confidence in the press. Today: 47%. Clearly, something isn’t working. But revisions to the code of conduct that has led to this decline would be seen by most journalists as increasing the risk of mistrust. I’ve tried to argue that the View from Nowhere—also called objectivity—should be replaced by “here’s where we’re coming from.”

The other problem he identified was that the bulk of revenues still came from print “but cannot provide a future”.

For those who argue that the decline of the newspaper industry is down to a loss of trust, I’ve never been convinced that this is the fundamental issue. It might be coincidental, but I’m not entirely convinced that it is causal. To me, the decline of newspapers is down to competition from other media for attention, disruption of display and classified advertising and changing media consumption habits. Did they move to other platforms for news because they had more trust or were those other platforms simply more convenient? Do people in the US trust TV news anymore than they trust print?

Roy Greenslade at The Guardian makes the point forcefully today that trust and reading a tabloid in the UK have little to do with each other. “Trust and the red-tops? It’s irrelevant to the millions who read them“, pretty much sums up his point. At the risk of quoting a bit too much from Roy, in terms of the trust=readership argument, at least in terms of print circulation in the UK, that doesn’t really match reality.

Yet, as the print sales figures show, those red-tops – The Sun, Daily Mirror and Daily Star – together sold 4.2m copies even in the dismal sales month of December (with a probable readership of 12m plus readers).
To put that in perspective, sales of the other seven national titles – the middle market pair and five quality titles – collectively totalled roughly the same as the three red-tops.
In other words, though we might think trust plays a crucial role in the decision about media consumption, it is not the defining factor for the regular red-top reader.

To put this in stark terms, Rupert Murdoch’s Sun had a circulation of 2.5m, -6.85% YoY, -3.56 MoM, compared to The Guardian which had a circ of 230,108, -13.11 YoY but fortunately up 1.61% MoM. The Sun has more than ten times the circulation of The Guardian.

I’m not saying that I like this reality. Frankly, I’d rather that trust guaranteed financial success for newspapers, but sadly, the world doesn’t seem to work quite that way. The tabs are easily digestible entertainment, and they show their readers the world they want rather than an accurate picture of reality. However, to argue that a decline in trust is the cause of declining readership and the decline in fortunes for newspapers, doesn’t quite square with reality.

I’m not saying that trust and credibility aren’t important. They are core to my professional identity. However, when it comes to answering the business problems of newspapers, it’s probably down to a collapse in traditional sources or revenue rather than simply collapse in trust.

Ebooks vs apps: What next for news?

by Suw on January 16, 2012

I was just writing a comment on Adam Tinworth’s blog post pointing out that there’s a huge ebook market out there that’s largely lying untapped by news organisations, but it started to get too big so here it is as a blog post.

There are a few challenges that news organisations need to overcome in order to really make the best of the ebook market. The first is around file formats. A friend of mine who does web comics looked at the Kindle, and the problem she came across was that anything with images becomes problematic, not just in terms of how the layout is affected by the ebook formatting, but also about upload file size limits. It makes doing a webcomic on Kindle impossible, and I would imagine that the same would be true of any news content with images. The standard news article format of image or video plus text doesn’t seem like it would work well on the Kindle.

That means that one would have to properly repackage content for ebooks: either big, timely articles, such as Ars Technica’s Apple OS X Lion review by John Siracusa, which netted Ars Technica $15,000 in 24 hours OR content with more legs, such as analysis, market intelligence, etc. I know some news orgs are experimenting with this, but some ebooks that I’ve seen of the latter type have been terrible – just a bunch of articles cut and paste into a file, barely formatted, and with no sense of cohesion or context.

In order to do ebooks well, you do need to have someone able to spend the time both on making sure that the content is right and typesetting it in a style suitable for ebooks, and getting it out onto the main ebook platforms, not just Amazon. I personally think there’s a market there, and news orgs really should have all the requisite skills in-house, but what seems to be missing is vision, budget, and time. The idea that you can simply slap a load of related articles into an ebook and Bob’s your uncle is erroneous in the extreme. You need to add value to your content, so provide analysis or information or context or something that your readers can’t simply get from your website. The added value in terms of the Ars Technica Lion review was timeliness and convenience, but single topic articles where that will be enough to prompt so many sales will be rare. I do think that news orgs should be looking at ways in which they can use ebooks to exploit their archives and start to gain revenue from reanalysis of existing content.

As for apps, I think they actually scratch a different itch. They are mainly about accessing today’s news in a more convenient manner. Were I to be pointing in a direction for news apps,  I’d say that news orgs should be looking at hybrid HTML5/native apps which require less in the way of original coding (think of platforms like PugPig), and which can stretch across operating systems with just a single source of content (the HTML5). The development and redevelopment of apps for this platform and that platform is time-consuming and uses up resources unnecessarily. As I said to .Net Magazine, this is the only real way that content producers can keep up with the demands of different platforms.

Of course, this isn’t actually an either/or scenario. News orgs should be looking at both ebooks and apps with a clinical, disinterested eye, working out what users want and how to provide that effectively, rather than simply shoehorning their existing content into these different-shaped buckets and hoping no one will notice that it doesn’t really fit.

If you’re a newspaper editor, and you want some much needed inspiration, you’ll want to add the blogs of Melanie Sill and John Robinson to RSS feeds or daily reading, and follow both John and Melanie on Twitter. John recently stepped down as the editor of the Greensboro News & Record in North Carolina, and Melanie recently made a similar move, leaving the top job at the Sacramento Bee in California. John wrote an excellent post about rebuilding a newspaper’s relationship with its community last week, and in her most recent post, Melanie looks at newspaper innovation. It comes after the ombudsman at the Washington Post, Patrick Pexton, agreed with some readers who thought the Post was innovating too quickly. (As someone who lived in Washington for seven years and considered the Post my local paper, it was always a schizophrenic place with a lot of digital innovation under Jim Brady while the print offices in Washington tried to change as little as possible.)

Melanie’s thoughts on the pace of innovation?

Most newspapers are stuck in the late 20th century formulas, scarcely varied across the country, for section concepts (even names) and types of coverage. These conventions, moreover, carry over into digital forms, and only in the past couple of years have we begun to see new forms made only for digital channels.Amid legitimate struggle in newsrooms to make this outdated formula work with vastly reduced staffs and greatly increased production demands, there’s not enough attention on creative breakthroughs — the kind of conceptual innovation needed today. What should a print edition do in a 24/7 news world? How is it differentiated from other platforms in content, format and organization?

Yes! Digital is different. It’s something digital folk have been saying since the 1990s. It’s not enough to shovel print content onto the web just because both print and the web are largely text-based. Just as reading a newspaper out on TV would seem silly (although there is some value in the newspaper reviews common on European television), simply copying text to the web was always an approach lacking imagination.

  • How is digital different?
  • What is possible in digital, on the web and via mobile, that isn’t possible in print?
  • How does this change audience expectations about news and information?
  • How do we meet those expectations?
  • How can use those differences to come up with new opportunities for revenue to support the work we do?

This is what I’ve been thinking about since I first became an ‘internet news editor’ in 1996. We’re at a pivotal time, and it’s great to see leadership from veterans like John and Melanie. I look forward to working with leaders like them in the future.

Last year, a university journalism classmate of mine and I were talking the various plights of journalism, and he told me some advice that a business-savvy relative had given him. Roughly, it was this:

To be successful, you have to know how to create value but also how to capture value.

Basically, this means, that yes, you have to create value. Many journalists are focused on this part of the equation, the valuable service that we provide and the social value that we create. However, to be a sustainable business, we also have to know how to capture value. From that service or social value that journalists create, how do we get a return on it so that we can continue to provide the service? This is really the pressing business issue for digital content businesses, including journalism. How do we capture the value of the service that we provide? Subscriptions? Advertising? Events? Consulting? Marketing services? Most likely all of the above and more.

It’s worth interrogating the first part of that and being pretty ruthless and honest with ourselves as journalists about what value we are creating. There is a lot of redundant content out there right now, and as I said over and over in 2011, content is abundant; attention is scarce. Metered paywalls such as those at the Financial Times and the New York Times seem to be working. Is it because of the metre or the content (or a bit of both)? Adam Tinworth has a view on that:

I was involved in a significant amount of work in my final year at RBI looking at exactly what kinds of content people will pay for, through what mechanism, and how to create more of it. Uniqueness was certainly one key factor – as was the amount of business value that investment returns to the reader, which is exactly why the FT does so well.

Adam was responding to Frédéric Filloux’s most recent Monday Note looking at how both the Financial Times and the New York Times are increasing the cost of their printed product, which makes their paid digital product seem less expensive by comparison for loyal readers. Filloux also keyed in on unique content:

Of these three factors, the uniqueness of content remains the most potent one. With the inflation of aggregators and of social reading habits, the natural replication of information has turned into an overwhelming flood. Then, the production of specific content — and its protection — becomes a key element in building value.

To me unique content and a strong, active social media strategy builds audience and engagement. Note that I said an active social media strategy. The only thing that has continued to propel my career forward has been a personal active social media strategy, engaging my peers and also my audiences. This isn’t just about promoting myself or my content via social media but also connecting with people and connecting those people with information that I think they will find useful, whether I reported and wrote it or not.

As I sit in Vilnius Lithuania, the next to last stop on my 2011 journalism world tour, I was taken back to where my journalism career started: Hays Kansas I started my career as the regional reporter at a small town, 14,000 circulation newspaper, the Hays Daily News. The standard joke told by the locals was: It’s not the middle of no where but you can see it from here. My job was to cover 1100 square miles on northwest Kansas. I covered my first presidential election from Hays as local hero done good, Bob Dole, ran against Bill Clinton in 1996. Dole’s hometown of Russell Kansas was also the birthplace of another Republican candidate that year, Pennsylvania senator Arlen Specter, who also ran the nomination that year. Apart from that, I covered what most cub reporters at local newspapers do: School board meetings, the weather (think storm chasing in Tornado Alley), the odd agriculture story and a beloved Sunday feature called the Nor’wester.

It was a great place to start journalism, working with a curmudgeonly good hearted editor, Mike Corn, and an award winning team of photographers, Steve Hausler and Charlie Riedel. Charlie now travels the world for the Associated Press. It’s still the second greatest job I’ve ever had, second only to working for the BBC in Washington. My job meant something. Western Kansas was a place fighting off decline in the 1990s. It was still reeling from the farm crisis, and as its youth left because they had to find work and their way elsewhere, many of its small towns fought off extinction. When I first moved there, Mike used to quiz me on where these small towns were. Every once in a while with a glimmer in his eye, he would say: “Ha, got ya! Trick question. It’s a ghost town!” For these small towns, I was all they had when it came to news, and they thanked me for it. It was deeply satisfying work.

Hays was also a great place to start because when I worked there, it was very innovative for a small newspaper. I started in December 1994, and we all had Macs on our desks and a cutting edge production system. For a newspaper of that size, I’m pretty sure that was rare then. The paper went online in 1996, and I applied to become their first internet editor. It was definitely ahead of its time.

Hays is why I’ve always been interested in local news, now mostly talked about as hyperlocal. What took me back to Hays? The Colombia Journalism Review has an interesting collection of views about Modesto California and journalism. It’s a world away from Hays and ten times as large, but for Hays and a lot of even smaller communities, the issues of providing journalism to these places is even more challenging than when I was there, especially in my adopted home of England, where the crisis in local journalism is even more acute. Although I cringe a bit when I read the CJR piece and detect a whiff of big city condescension (I’ll always be a country boy), their larger point is right:

If the digital-news revolution is to truly serve a mass audience, beyond educated and reasonably affluent urbanites, we must account for Modesto; we must find ways for innovation to flourish in poor towns where, for so long, it has been allowed to die.

I guess broadly, it’s not just the dying of journalism in not just poor towns, but also small communities, that worries me but the existential threat to rural areas full stop both in the US and the UK. That’s another issue, but if you’re interested in local journalism, it’s well worth a read. I especially love Rusty Coats’ piece. I met Rusty in 2005 at Web+10 at Poynter, and his story and mine share a lot of similarities. I love this line:

Fledgling news websites have cropped up across the country, led by journalists who bleed local, sometimes down to the neighborhood.

Local journalism survives on the dedication of these journalists, like Mike Corn. When I pulled up the Hays Daily News website tonight, there was Mike’s name. He’s still in Hays. He has threatened to leave several times since I left in 1996, but he’s still there. You have to have that kind of dedication because it sure as hell doesn’t pay that well. I made $2000 less than a first year teacher when I started in Hays. I made ends meet by having no student debt and living very frugally. I drove a very used car that had no working air conditioning, something you miss when it’s 45 C (114 F) on a hot, dusty summer day in Kansas.

Sceptical optimism

Local news and information has always been a tough business, and the ongoing economic crises aren’t making that any easier. It is good to see a renewed vigour when it comes to local. John Paton, dubbed newspapers’ digital apostle by the New York Times this week, is pulling the industry forward, and his digital first strategy has been a clarion call to his editors and journalists, many who work at small newspapers. Steve Yelvington has long been a leader in digitally-led local journalism, and as Morris, the group he works for, moves digital close to its core, I’m sure we’ll see great things. I’m sure we’ll see new efforts in how communities cover themselves. For those of you working with such projects, it’s well worth reading the New Voices: What works report.

I continue to be sceptically optimistic about local journalism, more because I choose to be optimistic about small communities. Although I haven’t done truly local journalism for a long time, I remember all too well how hard it is and the dedication required. I remain slightly sceptical because I think a lot of the hype surrounding hyperlocal has needed tempering for a very long time, and I see a lot of hyperlocal projects make the same mistakes over and over and over again. Local journalism needs more of a rethink than national or international when it comes to remaking the business model. Thanks to CJR for trying to move this conversation a bit more front and centre.

I’ve seen integration happen as several newsrooms, and I was at The Guardian as it began integration.* Much of the integration since 2007 has been driven by economic concerns with little focus on products or even efficient newsroom workflow to serve those products. Alan Mutter, who writes the excellent blog Reflections of a Newsosaur, says that as Jill Abramson takes the reins at the New York Times she will have to choose between two irreconcilable paths.

She either will have to cannibalize the flagship print product to build the strongest possible digital franchise for the Times – OR – she will have to concentrate on sustaining the commercial strength of the print edition at the risk of channeling insufficient resources into assuring the strongest possible digital future for America’s newspaper of record. …

The problem for Abramson is that the print and digital media demand significantly differentiated products, which the Times has not been able to produce to date with even its enviable strength.

I think the New York Times has stepped up its game in this respect over the last two years. Andrew de Vigal has done an excellent job honing the multimedia work at the Times, bringing a coherence that has escaped many other newspapers. Aron Pilhofer, interactive news editor at the Times, has done some excellent work in terms of building great projects and doing great journalism with data.

However, I think that Alan hits the nail on the head. Integration makes sense, but it has to be seen in the context of serving different and differentiated journalism products across print and digital media. Torry Pedersen of Norway’s VG has one of the best ways of understanding this. At a conference in 2009, he put it this way:

He then compared newspapers and the web to a bottle of water and a waterfall.  The waterfall represented the web–continues flowing, raw, unlimited and in real time.  The bottled water represented newspapers–limited space, distilled, refined and bottled.

I think this is why The Atlantic and The Christian Science Monitor are navigating the changes in media successfully. They aren’t pitting print versus digital, but strengthening both print and digital products. In 2010, that allowed The Atlantic to turn a profit for the first time in a decade, and it built on that in 2011 even as many other publishers struggled. Yes, The Atlantic beefed up its web presence, but it also put a focus on writing talent. In 2011, it’s profits doubled in print, digital and events. It improved all of its businesses and even built new revenue streams.

More broadly though, one of the things that I see in terms of news organisations is that those who develop not only great journalism projects but also marketable journalism and information products are the ones best navigating the wrenching changes in the journalism business. This is a mix of transaction businesses, such as those at Fairfax in Australia or Schibsted’s digital classified business, Finn. Some of those transaction businesses might be built around data, especially business data. The products also usually include events such as conferences or dinners, cruises or talks with key journalists. As Suw and I build our little consultancy, the real gap in journalism businesses we see is not necessarily of editorial innovation but of product and revenue innovation.

* I get a sense that The Guardian is only now moving through the first process of integration as it unifies its ‘digital first’ strategy largely under the management of print editors.

The head of AOL Europe, Kate Burns, says that the newly launched Huffington Post UK has no competitor. Really? Let’s ignore the over-served national newspaper market here in the UK for a minute and focus on the aggregation plus blogger network model of the Huffington Post. While Burns points out Rue89 as one of the European competitor, she conveniently overlooks the Guardian’s Comment is Free here in the UK. Both sites were inspired by Huffington’s success in the US and roughly follow the same model although adapted for their markets. Beyond that, the Telegraph has a blogger network, MyTelegraph, that allows anyone who wants some space to air their views.

It is interesting to see that HuffPo UK is going a bit up-market compared to its US model. For a US transplant in the UK like me, the US HuffPo always has felt like the bastard offspring of the Indy’s opinion page crossed with the Mail’s skin-tastic, pap-driven parade of c’lebs. Plenty of American friends have taken to complaining that it’s the skin that wins when it comes to HuffPo’s page views. It has toned down the celebrity sidebar for the UK homepage, probably in no small measure that the UK is not only over-served in quality national dailies but has a veritable smorgasbord of ethically challenged tabloids. One tab recently criticised Pippa Middleton for allowing its dwarf photographer to take an upskirt shot. (No, I’m not going to link to it even if I could find it. Yes. I’m being completely serious.)

I’m still wondering just what HuffPo adds to the UK market apart from a new outpost in its namesake’s global ambitions. AOL’s display ad sales are starting to rebound, but it’s pouring money into its local project, Patch, with growing evidence that it’s a money pit with no prospect of becoming a money maker. It’s on a high-salary hiring spree in the US as Arianna has opened a second front to Rupert Murdoch’s first against the New York Times. One thing is certain, with the BBC, The Daily Mail and The Guardian launching in the US and the HuffingtonPost launching here in the UK, cross Atlantic competition is definitely heating up. The big question is whether the ad dollars will follow or be spread thinner than ever.