How Schibsted’s ‘future lab’ is looking for new media business models

a starry night sky in the background with several silhouetted people looking through telescopes.
Amateur astronomers from across the country volunteer their expertise and offer free nightly astronomy programs and free telescope viewing. National Park Service/M.Quinn

TGIF! It’s Friday, and today’s top story in my international media newsletter is about Schibsted’s internal incubator, Schibsted Next Media.

John Einar Sandvand of Schibsted says the unit is the group’s “future lab”. He quotes one of the product managers of the group, Fanny Chays, who says, “Our ambition is to find the next generation of media companies for Schibsted.”

In addition to managing a couple of existing products, they also explore “so-called bets for potential future products”. They use a four-step process in identifying product bets:

  • Phase 1: Frame the challenge.
  • Phase 2: Problem solution fit. 
  • Phase 3: Product market fit. 
  • Phase 4: Scale!

Check at the full post at WAN-IFRA.

And here are the stories that you read the most in the past week:

  1. How Swedish newspaper Dagens Nyheter halved subscriber churn in 2 years, Digiday
  2. How Publishers Can Start Monetizing Smart Speakers, Pubishing Executive
  3. ‘Make something people need:’ How BBC Good Food is getting ahead in voice search | What’s New in Publishing | Digital Publishing News, What’s New in Publishing
  4. How BuzzFeed is making its video shows business sustainable, Digiday
  5. WIRED Editor-in-Chief Nicholas Thompson on lessons from a year behind a paywall, Media Voices Podcast

And that’s another week. Thanks so much for reading and also for subscribing to the newsletter. If you haven’t subscribed, go to my Nuzzel profile, and if you spot a media business story that you think should be included, shoot to me on Twitter, @kevglobal.

Can free iPads help an Arkansas newspaper wean readers off of print?

Apple iPad, by John Karakatsanis, from Flickr, Some Rights Reserved

Hello new subscribers and long-time readers! I’m back after my long bank holiday weekend.

Lots of interesting news over the long weekend, but a story out of the US state of Arkansas caught my eye for my media newsletter today. The Arkansas Democrat-Gazette, which goes out to the entire state, is promising readers that their subscription price will stay the same, $36, but it won’t be coming to them daily in print. The paper will still be printed and delivered on Sunday, but other days, they will have to read it digitally. And to sweeten the offer, the newspaper is offering a free iPad to read the ‘paper’ digitally.

As Rick Edmonds at the Poynter Institute pointed out in the AP story, this has been tried before. It hasn’t been a roaring success.

I think that this might be worth watching because the publisher is going out to civic clubs to make the pitch in person, and the newspaper isn’t just offering a free iPad but also training on how to use the digital edition. Will the personal touch be enough to win over subscribers and return the paper to profit by 2020? It’s one to watch.

If you’d like this story and others daily, you can subscribe to my international media newsletter on my Nuzzel profile page. And please, send along media business stories to me on Twitter, @kevglobal.

Wired’s EIC Nick Thompson talks one year of the paywall with Media Voices podcast

Paywall, by Giovanni Saccone, from Flickr, Some Rights Reserved

Hello, more new subscribers! It’s great to have you.

In my international media newsletter today, the top story is the latest podcast by my friends at the Media Voices podcast and their interview with Wired Editor-in-Chief Nicholas Thompson.

I am a big fan of him and his work, and I have been following what he has done since he was the digital editor at The New Yorker. One of my favourite quotes from him in a Digiday podcast is that they don’t try to do everything that is possible in digital at The New Yorker but every digital thing that they do is The New Yorker.

Thompson now is the top editor at Wired. He was asked: Why print? “There are wonderful things about a print magazine,” Thompson said, but he said that that as a group, they are mostly focused on digital and started making that transition 15 years ago.

He reprised his recent look back at one year behind a paywall at Wired, which we highlighted here on the newsletter. One thing he noted is that advertising still delivers the vast majority of revenue at Wired.

And he talked about his surprise at the stories that drove the most subscriptions. The long-meaty features drove a lot of subscriptions, but he was surprised that the 65th most read feature about a genius neuroscientist that is driving AI. It didn’t deliver a lot of traffic by their standards, but it was the second most driver of subs last year. But good listicles also drove subs as well.

“In almost every category of content, the best stuff we did drove subscriptions,” he said. “It was a little surprising but also heartening.”

That’s a great insight. It’s not necessarily the format but the execution.

Again, welcome to the new subscribers, and I would love to borrow some of your attention. Drop me an email (there is an address easily findable on this site) or send it via Twitter to @kevglobal If you still haven’t subscribed, you can easily do so on my profile page on Nuzzel.

Washington Post amps up Arc with subscription tools

The Washington Post is supercharging its platform Arc, with a big marketing and development push. Photo: 1941 Willys Americar 441 Coupe Hotrod, by Sicnag, from Flickr

Hello new subscribers! Welcome from Suchandrika Chakrabarti‘s great post on newsletters that freelancers should subscribe to.

Topping today’s newsletter is a story about new subscription features that the Washington Post is building into its CMS, Arc. As I highlighted in a recent newsletter, the Washington Post sees Arc as business that can grow to $100m as it sells the CMS to other publishers. This feels like a major push for Arc.

Also in the newsletter:

If you are just seeing this and haven’t subscribed to the newsletter, sign up here. And please, if you spot a good story – especially a good media story outside of the US – let me know on Twitter @kevglobal.

Which came first? The decline in civic engagement or the decline in newspapers?

Death of Print, Darius Norvilas, Flickr, Some Rights Reserved

In my newsletter today, the top story looks at the impact of the decline in local news outlets in the US. The statistic that one in five Americans now lack access to a local source of news is not news, but what we’re now hearing is research about what that means and how it is impacting local communities.

I edited local newspapers for a very brief period of my career – about 21 months. I joke that I survived the six rounds of cuts but not the seventh. Those cuts included simple budget cuts, hiring freezes, a major reorganisation and an early retirement scheme.

I actually really enjoyed working in local media, despite the incredible pressure of trying to expand two newspapers amidst an industry collapse. I managed the newspapers in two towns in Wisconsin: Sheboygan, population 50,000ish, and Manitowoc, with a population of around 35,000. For the first year, I felt like an old-fashioned small-town editor. In Sheboygan, where I lived, people would stop me on the street, just to talk because I was the editor of the newspaper . But the cuts drove home just how badly the newspaper industry had shrunk. In 2005, the newspaper in Manitowoc had about 12 editorial staff. When I arrived in 2014, the local staff was still about nine. Today, it’s four.

During my time in local newspapers, one particular question gnawed at me: Was one factor in the decline in newspapers down to a decline in local civic engagement or was the decline in local civic engagement driving the decline in newspapers?

Research is now beginning to answer that question. Take this from an article in Governing:

According to a study published in November in the Journal of Communicationvoters rely more on national outlets — and become more partisan — as local newspapers decline or close.

“The more obvious implications of newspaper closures are that residents are becoming less informed about the issues that affect them most and less engaged with local government,” says Johanna Dunaway, professor of communications at Texas A&M University and coauthor of the study.


When No News Isn’t Good News: What the Decline of Newspapers Means for Government , Alan Greenblatt, Governing

The article goes on to highlight an increase in partisanship as the news becomes “nationalized”. Again, I saw this at the local level. People didn’t really distinguish between the local newspaper, the New York Times or cable news. It was all just one undifferentiated mass for them. People would call me up as the editor and shout at me about things in the “the media”, usually cable news – CNN or Fox, depending on their politics. I tried to explain to them that we didn’t have anything to do with that, were owned by entirely separate companies and that our focus was the local community, not commenting on the latest hot issue in Washington.

At the same time, they were very disengaged from local politics. In a conversation with our city clerk in Sheboygan, who helped run our local elections, she made the point that in the previous spring’s election we only had a turnout of 7 percent. She made the quite valid point that it cost the same to run an election whether the turnout was 7 percent or 70, but it was really shocking to see how few people made the effort to vote.

When local people did talk about politics, particularly on Facebook, it was frustrating to see them grouse rather immaturely about local government, rather than engaging with issues in a substantive way. More than that, they often made it clear that they were doing this from the sidelines and not as active voters or civic participants. It was civics as a spectator sport.

The article in Governing does a good job of pulling together the threads of a lot of research showing the negative consequences of this loss of coverage including a decline in local government accountability and even negative environmental impacts. But this kind of local reporting is really expensive and no one seems willing to pay. I had several ideas on how to begin rebuilding local reporting and, although my first year in Sheboygan gave me the opportunity to start putting some those into practice, the continued cuts and reorganisations made it impossible to capitalise on those early gains.

What we’re losing with respect to local journalism is hurting our society. And we need not just creative ways to start rebuilding that. We should all acknowledge that these organisations will not cut their way to growth or cut their way back to meaningful, engaged local news outlets. We have to find a way for this to work, for the sake of our communities and our citizens.

Why this digital media bust will be different (and ways that it will be the same)

By now, we all have heard reports that Buzzfeed and Vice will miss their revenue targets. Mashable has been sold for a fifth of its 2016 valuation, and there are more reports of chaos at Mic after its pivot to video. And Spirited Media, which was seen as a promising model for local media, laid off staff in what CEO Jim Brady called a “shitty week”. What does this mean?

  • I’ve been saying this for a few years now, the chase for scale with 20th Century mass media strategies doesn’t work in the age of the Duopoly. Their scale dwarfs the scale that media companies can cost-effectively create.
  • Advertising as the sole source of revenue has been looking shaky for quite a while, and with print advertising collapsing across the English-speaking world and digital advertising being eaten up by Google and Facebook, media companies will have to find other revenue streams. (Kudos to Jim Brady and
  • VC funding for mass Millennial media products is done for the moment.
  • The “pivot to video” was driven much more by advertising revenue than audience demand.
  • Look for 2018 to be the “pivot to affiliate”. Media folks are herd-like creatures, and the success of Wirecutter and Penny Hoarder will not have been lost on them.

I agree with Josh Marshall, we’re in the midst of a digital media crash, or more accurately, a VC-funded digital media crash in the middle of a broader legacy media crash wrapped in an even broader media realignment the likes of which we haven’t seen since the invention of the printing press. As I wrote about at the beginning of 2016, there has been trouble in the Attention Economy for a while. I thought that we were reaching Peak Content,  a point where the race to create more content in the foolish chase for scale ended because it just became economically unsustainable.

Of course, those who followed funding closely knew that there was trouble in VC-funding of media. I had heard from friends in funding circles that recent investment rounds were going for ridiculously low multiples in terms of earnings, and for those who follow media funding closely, like my grenade-tossing friend Rafat Ali, this reckoning has been coming for a while. And that reality is hitting start-ups big and small. Brady said that the layoffs at Spirited Media were caused by a lower than expected funding round.

Another media crash

I have lived through a few media crashes already in my career, including the dot.com crash and the Great Recession. I think this crash will be much more like the dot.com crash, which in media terms has long passed from memory because most of the media folks in digital media in the late 90s left. They struggled to get hired back into legacy media, and they simply pivoted into something different. I consider myself fortunate, I was working for the BBC as their first digital correspondent outside of the UK. Our unique public funding model allowed us to continue to innovate even in the teeth of the crash. It’s been tough for mid-career journalists like myself to stay in the industry since the Great Recession, and sadly, in 2017, I saw it get tougher for younger journalists as well.

But this crash in digital media will be different than the dot.com crash. In 2001, people questioned whether you could make money with digital advertising, and there are some who are asking the same question. But it’s the wrong one. People are making money, billions of dollars in digital advertising. It just isn’t the media, and that has been the problem for a long time, even before the last two years when it became clear that The Duopoly were gobbling up most of the digital advertising revenue in the world.

How it is slightly different this time…

But this crash is different because unlike the dot.com crash, which wiped out an early wave of digital-first media companies, we do have models that are working. And I’m not just talking about the Financial Times or the New York Times. There are a lot of really fascinating start-ups that have solid models deeply serving much smaller audiences – Skift, The Skimm and Penny Hoarder. As Rafat, founder and CEO, of Skift wrote on Twitter.

There is a lot that is working, and I’ll go into that later. It will have to wait until taking a much-needed break over Thanksgiving.

The tension between local news needs and the economics of local content

With the recent closure of DNAInfo and the “-ist” network (Gothamist, Chicagoist, etc) by its billionaire owner, allegedly in a fit of pique over a vote to unionise, there has been more focus on challenges of local news. To me, this is the real crisis in journalism in the English-speaking world. The economic basis for local journalism, advertising, has come under extreme pressure as print subscriptions decline and Facebook and Google gobble up more of the digital advertising pie.

In a recent edition of my newsletter, I flagged up this interesting quote from Patch CEO Warren St. John, who told Axios:

“is that economically, good local news isn’t be designed to serve national or scaled interests, and the driving forces behind it need to come from the community level with community interests.”

This seems to run entirely counter to the consolidation in local news right now, but as local news becomes regionalised by groups focused on cost-cutting and efficiencies of an already lean business, there are opportunities opening up for local scale news businesses. The next few years will be interesting to watch. I predict a lot of experiments in communities smaller than 100,000 that aren’t close to larger metro areas.

The tension between local news needs and the economics of local content

With the recent closure of DNAInfo and the “-ist” network (Gothamist, Chicagoist, etc) by its billionaire owner, allegedly in a fit of pique over a vote to unionise, there has been more focus on challenges of local news. To me, this is the real crisis in journalism in the English-speaking world. The economic basis for local journalism, advertising, has come under extreme pressure as print subscriptions decline and Facebook and Google gobble up more of the digital advertising pie.

In a recent edition of my newsletter, I flagged up this interesting quote from Patch CEO Warren St. John, who told Axios:

“is that economically, good local news isn’t be designed to serve national or scaled interests, and the driving forces behind it need to come from the community level with community interests.”

This seems to run entirely counter to the consolidation in local news right now, but as local news becomes regionalised by groups focused on cost-cutting and efficiencies of an already lean business, there are opportunities opening up for local scale news businesses. The next few years will be interesting to watch. I predict a lot of experiments in communities smaller than 100,000 that aren’t close to larger metro areas.

The Olympic medal for media innovation goes to…

New York Times Fine Line Simone Biles

A version of this post first appeared on The Media Briefing, where I write about the media developments in North America, especially as they pertain to the search for new media business models. 

The Olympics are over, and the medals have all been handed out. But for me, the Games are not just an opportunity to see the best athletes in the world but also to see some of the most cutting edge digital media innovation. The 2016 Rio games also showed some of the tectonic shifts in media with viewership dipping on traditional TV platforms and up on on-demand and mobile platforms.

These are not simply vanity projects. As we saw recently with Politico’s Apple Wallet-powered EU Tracker project in the lead-up to the Brexit vote, a smart strategy executed well during major events can help you reach new audiences and power your growth to the next level.

Not to mention, that just like gold medal athletes hoping for lucrative endorsement deals after the games, media organisations are hoping to cash in, and this Olympics also showed how organisations are seeking new sources of revenue through digital commercial innovation.

New York Times’ The Fine Line

The Olympics are one of those big set piece events when top news groups, start-ups and the digital platform giants have time to plan and create trail-breaking digital media experiences.

Amongst the legacy media groups, the New York Times has once again made as much of a splash with digital media watchers as Michael Phelps and Katie Ledecky have made in the pool.

One of the most talked about and ground-breaking Olympics features by the Times were a series of visually-led features called, The Fine Line. In addition to the Fine Line features, the Times also created incredibly simple but effective animations to show how the swimming races played out, for instance how teen phenom Katie Ledecky dominated in the pool.

New York Times Olympics Bodies Rio Olympics 2016 featureBut that wasn’t all the Times did. Another feature effectively gave a game-like feel to the content with a visual quiz in which the audience was asked to guess what sport the athlete or para-athlete was involved in by their body characteristics. Did they have muscular legs and or arms? Were they tall or short and powerful? It was really nicely done, and the Times made a point to say that the athletes and para-athletes wore as many or as few clothes as they felt comfortable with.

Commercial innovation to drive digital revenue growth

But, as we’ve seen so often in 2016, the best editorial innovation isn’t enough to guarantee a sustainable business. Fortunately, the New York Times also displayed some incredible commercial innovation as well.

In the middle of the Fine Line features is a native advertising feature for Infiniti’s Q60 that seems right at home in the format. In addition to flowing the Infiniti ad into the middle of the stories, it is peppered throughout them, appearing both in the navigation and on the front of every Fine Line segment. The ad even fits thematically with the content: The “Making an Ironman” native advertising video shows a man training for the triathlon world championships with product placement of the Infiniti Q60.

Infiniti’s content also appears in various New York Times’ social channels, including Youtube and the NYTVR app.

VR, mobile, programmatic and native advertising are all part of the New York Times’ strategy to dramatically increase non-display digital ad revenue because display has shown lingering softness for many legacy print publishers in the face of the dominance of Google and Facebook.

The New York Times has not been immune, and it reported in its most recent quarterly results that digital ad revenue dropped 6.8 percent, which looks bad but not when compared with the 14.1 percent swoon in print adrevenue.

The Infiniti native advertising package across multiple digital channels looks like the kind of bigger deal that New York Times CEO Mark Thompson talked about recently when he predicted dramatic digital ad growth in the third quarter.

Thompson and Chief Revenue Officer Meredith Kopit Levien told Ad Age that these bigger, multifaceted packages were taking longer to close, slowing the pace of ad deals in the short term, but dramatically increasing revenue in the longer term.

Thompson said that these bigger deals were in the “million-plus range”, and they both said that the revenue would start to be reflected in the NYT’s second half results. It gave Thompson the confidence to predict that the NYT would deliver double-digit growth in digital ad revenue in the third quarter.

Power to the platforms

Rio Olympics media innovation

In its recent results, The New York Times pointed out that mobile was powering a lot of their growth, and Thompson said mobile is “growing at rates that even Mr. Zuckerberg’s little firm would recognise”.

Mobile content took centre stage at Rio 2016, and Facebook and other major  digital platforms were seen as key to helping Olympic broadcaster NBC to make sure that its content reaches younger, more mobile audiences.

Before the games, NBC’s deal with Buzzfeed and mobile messaging darling Snapchat grabbed a lot of coverage. Buzzfeed is curating content from Snapchat, and Snaps from Rio appear prominently in its Discover section. Buzzfeed’s involvement makes sense in light of NBCUniversal’s $200 m investment in the company.

This kind of distribution is officially a very big deal as it was was the first time that Olympics content would appear on a non-NBC platform, according to Gerry Smith of Bloomberg News. More than that, NBC isn’t requiring Snapchat to pay anything for the privilege, but the broadcaster, which paid $1.23 B for the broadcast rights, negotiated an ad revenue share with the mobile messaging and content platform.

Facebook’s ambitions in Rio were much more global, and it struck a deal with the IOC and 20 official Olympics broadcasters to offer content on Facebook Live and recap content on both Facebook and Instagram, according to L&F Capital Management on the investment blog Seeking Alpha. Facebook also reportedly paid some athletes, including Michael Phelps, to provide exclusive live interviews.

Looking to make live events and sports a bigger part of its offering, Twitter announced content across Moments, Vine and Periscope in its coverage before the games. Twitter also announced a pivot in the Moments product as well, as it said that Olympic Moments would stick around in users’ timelines for weeks rather than days.

When I wrote the piece for the Media Briefing, we really didn’t have a full picture of viewership on traditional linear TV and also how audiences were turning to consuming video on mobile platforms. But we quickly got a sense, and for NBC, it wasn’t entirely good.

Bloomberg noted that ratings were down 17 percent overall in primetime and down by 25 percent in the 18-49 demographic. Gerry Smith of Bloomberg questioned whether NBC Universal had got its money’s worth in terms of their $12 bn investment in the Olympics. Smith went on to say:

The Summer Olympics ratings slip, the first since 2000, raises fresh doubts about what used to be a sure thing: live sports would be a huge and growing draw no matter what.

But while traditional TV viewership was down, online viewership was up by 25 percent. Regardless of the obvious switch from linear TV to on-demand formats, NBC still ended up having to give away some air time to advertisers to make up for the viewership shortfall on traditional TV.

Of course, if you want a stinging rebuttal of Bloomberg’s thesis, read this Medium post on how terrible the NBC streaming experience was by Brenton Henry. The real issue for Henry seemed was that the streaming options were really only available for cable subscribers.

I was tempted to shorten this article, but then the lengths of measure I had to take to view something that is available for free over the airwaves show there is clearly a problem. I’m sure NBC were patting themselves on the backs for how easy it would be to watch online this year, but that’s only true for cable subscribers, a slowly shrinking percentage of the US population, especially for Millennials.

As we’ve seen with ESPN’s woes, pay TV use is starting to decline as more people rebel against the ever rising costs of a bundle of channels and services they simply don’t want. The business model for paid TV is going to come under increasing pressure. The Olympics and NBC’s model only highlights that.

My interview on TRT about Arianna Huffington stepping down from the Huffington Post

TRT World in Turkey interviewed me about the legacy of Arrianna Huffington as she stepped down as editor-in-chief from the ground-breaking site that bears her name. I will count myself as one of the sceptics when the site was launched, but I was happy to have been proven wrong.

The Huffington Post did create a new model for content in the digital era. On the plus side, it is good to see something that has worked, but on the downside, I see that model as creating as much content as possible for as cheaply as possible, which negatively impacts those who try to make a living from their creative efforts. It’s alumni also have made their mark, especially Jonah Peretti of Buzzfeed.

When I was asked why she stepped down, I alluded to talk about her influence being diluted after Verizon bought Yahoo, which had bought the Huffington Post. But I also see another reason. In 2016, general news and comment sites like the Huffington Post are a lot more difficult to build into a successful media company, but the focused sites like the health site that she will now focus on are seeing much greater success.