How to grow paying subscribers by 2000%? Easy. Evolution.

Pieces of paper with the words money, growth and business printed on them with 2019 spelled out in US coins.

2019 – Das Jahr des Wachstums, Geldes und Geschäftes, by Marco Verch, Flickr, Some Rights Reserved

The top story in my media business newsletter today definitely challenges conventional wisdom. Trevor Kaufman, the CEO of paid content platform Piano, says that most people believe that when you launch a paid content strategy that you grow at first but then plateau as you convert the core of your addressable market. I have to admit that from most of the examples that I have seen and even some media properties that I have managed that this is the case.

“After all, once you convert the converted, who is left?” he asks rhetorically. He goes on to challenge that view and says that Piano is finding that those publishers that invest in working their conversion funnel get better at converting.

We took a random sampling of our customers that have been in business between four and nine quarters, comparing their first two quarters with their last two. We found those with just a year behind them experienced increases of up to 50% in their average number of new monthly subscribers. And for those with nine quarters behind them, growth rates reached more than 2000% on average.


Attention, investment in digital subscriptions results in 2000% growth, Trevor Kaufman, INMA

Conversely, those clients who didn’t work it, didn’t invest, didn’t learn not only plateaued but declined. And I think Kaufman points out another key difference: The companies that invested and excelled changed their business, just like the New York Times has, to subscription-focused businesses.

There is a lot about paid content in today’s newsletter including an updated overview of pay models for online news by the Reuters Institute for the Study of Journalism.

Let me know if there are any stories that you’d like to see in the newsletter. I’m @kevglobal on Twitter.

How the Washington Post tracked Trump’s 10,000 falsehoods

Donald J. Trump takes the oath of office to become the nation’s 45th president and commander in chief at the U.S. Capitol in Washington, D.C., Jan. 20, 2017. White House photo

In today’s newsletter, we take a look at the fact-checking operation at the Washington Post that manages a database of 10,000 falsehoods spoken, tweeted and otherwise communicated by the 45th president of the United States. The official tally is 10,111 “false or misleading claims” in 828 days in office as of 27 April. How are they managing this?

Each member of (Glenn Kessler’s) three-person team picks a day of the week to sift through Trump’s tweets, speeches and media appearances for potential claims to add to the database. Each person generally picks up two days, and in practice, someone usually ends up losing their weekend.

“It’s now become a bit of a burden because it consumes so much time,” Kessler said. “I’m trying to figure out how we can handle more of this during the week. I don’t know what we’ll do when it comes to campaign season and he’s holding three rallies a day.”


How The Washington Post tallied more than 10,000 Trump falsehoods in less than three years , by Daniel Funke, Poynter

They have added up the time spent, and Kessler said that they have worked an extra 118 8-hour workdays. The project was initially only supposed to last the first 100 days of his presidency, but readers actually called and emailed asking for the project to continue. That’s brilliant.

In addition to that, we also have:

If you’ve got a story that you’d like me to include, say hello over on Twiter, @kevglobal.

Choosing the right membership (or subscription) model

Members only, friendly yet authoritative sign, by John Bell, from Flickr, Some Rights Reserved

As I mentioned yesterday, my friend Suchandrika Chakrabarti has an excellent overview for freelancers on writing your own bio through writing ones for her first year of being freelance.

In addition to that post, the other highlight from my newsletter today is an excellent look at the hottest issues in media right now: Membership and subscriptions. It’s a comprehensive look at various subscription models and services, but they also talk about a membership model in Albany New York. The newspaper there has tiers, “providing options for the customer”, according to Brad Hunt sales and retention manager for Albany (N.Y.) Times Union. “Instead of losing them outright or feeling like we were forcing them to go to a higher frequency in order to get to that gold status, we wanted to provide the means for the customer to choose,” he said.

More tomorrow, and remember, if you want to highlight a story for me, let me know on Twitter @kevglobal.

The Age of the Freelancer: Should journalism contests rethink their fees?

Will Write Poems for Food, by Taymaz Valley, Flickr, Some Rights Reserved

In today’s newsletter, we find an example that runs counter or Betteridge’s Law. For my non-British readers, Betteridge’s Law, coined and named after Ian Betteridge is:

This story is a great demonstration of my maxim that any headline which ends in a question mark can be answered by the word “no.” The reason why journalists use that style of headline is that they know the story is probably bullshit, and don’t actually have the sources and facts to back it up, but still want to run it.

Betteridge’s law of headlines, Wikipedia

That is a long-winded way of saying that in this case the answer might be yes, the question asked might be “yes”.

Nieman Lab looks at why journalism contests should rethink their fee structure as more and more journalists find themselves freelancing whether they like it or not.

Suchandrika Chakrabarti, my friend and former collaborator when she worked for Trinity-Mirror (now Reach) flagged this up from the newsletter today. She has not only launched her own freelance journalism career but also the wonderful Freelance Pod.

https://twitter.com/SuchandrikaC/status/1125387398358155265

And this LinkedIn post of hers is definitely going into the newsletter tomorrow. She starts the post off with:

It’s the anniversary of my third redundancy! Also, it’s a year since I went freelance. Let’s talk about it.

Looking back on a year of freelancing, via my third-person biographies, Suchandrika Chakrabarti

If you spot something that you think deserves to be in tomorrow’s newsletter, flag it up to me on Twitter, @kevglobal, and if you haven’t subscribed to the newsletter yet, you can here.

A worksheet from the New Yorker to help you develop your newsletter

Pamphleteer, revolutionary, radical intellectual, and deist, Paine is shown here, in the town of his birth, with a copy of his most celebrated work, ‘Rights of Man’, published in 1791. by Robert Alexander

I’m in the process of developing a daily newsletter at my day job, so newsletter strategy is at the forefront of my mind. That’s why it was super helpful that in the top story of today’s newsletter there is an interview with Dan Oshinsky, who oversees newsletter strategy for The New Yorker. GEN interviewed Oshinsky on how they develop newsletters. Not only is there several good points in the interview, but there is also a link to a worksheet that the New Yorker uses in developing its newsletters. It’s a really handy resource.

In building the organisational case that of all of the digital things we could do that we needed to prioritise a newsletter over other things, I pulled on a lot of data and analysis that newsletters are critical to building a loyal audience primed for membership. I work for one of the longest member-driven media groups in the US, a regional NPR/PBS group, and this is

One of my go-to quotes on newsletter strategy comes from an earlier review of newsletters at The New Yorker and Oshinsky’s thinking in which they found:

Last year, Condé Nast’s data science team built a model to predict which factors best determine whether a NewYorker.com reader will become a subscriber. Whether someone was a newsletter subscriber was the No. 1 indicator. Thus, The New Yorker can draw a straight line between the quality of its newsletter readership and its bottom line: more newsletters subscribers, in turn, means more paid readers.


With its new newsletter director, The New Yorker wants to experiment with standalone and international-focused products, by Ricardo Bilton, Nieman Lab

In addition to newsletter strategy, there is also a really good look at the 1000 true fans theory and what that means for journalism start-ups.

Have a great weekend. And if you have a story, let me know on Twitter, @kevglobal, and if you want to subscribe to the newsletter, it’s easy to do here.

Slate expects almost half of its revenue to come from podcasts

Headphones on a baby, by Gideon Tsang, from Flickr

The top story in the newsletter today reminds me how reader revenue, whether that be through subscriptions or memberships, is remaking media. Digiday is reporting that Slate expects nearly half of its revenue to come from podcasts, but the thing that stands out is Slate sees this as supporting their subscription model, Slate Plus. They aren’t looking for syndication deals. It’s all about building a loyal, paying audience on their own platform. How times have changed. From Digiday:

But where some of the newer scripted podcast producers are eyeing the big checks that platforms such as Luminary are writing, Slate sees them as a way to build its own business. Kammerer said that while Slate has had discussions with podcast platforms about licensing or producing exclusive shows for platforms, it has declined to pursue them because it is more interested in using its shows to build Slate Plus.

Slate expects nearly half of its revenue will come from podcasts this year, by Max Willens, Digiday

And I also want to highlight Reach PLC (formerly Trinity-Mirror and also a former client of my consultancy, Ship’s Wheel Media) and their efforts to try to bring some comity to the discussions around Brexit with their Britain Talks project. Their efforts to engage audiences, not only with their journalism but also in broader issues, really impresses me, and I appreciate more than most the challenging business environment that they are operating in.

As always, if you have a media business story that you think I should highlight in the newsletter, let me know on Twitter @kevglobal. And you can subscribe to the newsletter here.

The Guardian is back from the brink

The Guardian and Observer offices back when I worked there, by Kevin Anderson (me) from Flickr

The top story in my international media newsletter is The Guardian’s great news that it has broken even for the first time since 1998. I worked at the Guardian from 2006 to 2010, and it has been great to see the turnaround since Kath Viner took over as editor.

I think that the BBC article, an extra link not on the newsletter, summarises all of the things that went into this change in fortune. My friend and Indian media-tech superstar Durga Raghunath has the tl:dr version of the BBC’s coverage:

In the BBC analysis, they attribute part of the change in fortune from cost cutting: closing of 450 positions, largely through voluntary redundancy (buyouts) and also reducing the costs of printing by ditching its bespoke Berliner format and going tabloid. But the switch to a membership, reader support led business model has also helped. A lot.

Emily Bell who ran the digital editorial operations when I was there also had a couple of excellent points on Twitter.

Other top stories in the newsletter today:

That is the newsletter today. If you have a story that you think is worth including, shoot it to me on Twitter @kevglobal. And if you want to subscribe to the newsletter, go here.

The Washington Post Believes its Publishing Platform is a $100m Business

The Washington Post / iPad by Esther Vargas, Flickr

It really is international in my media newsletter today with stories Ireland’s INM being bought by Belgian media house Mediahuis and Nine in Oz selling off a chunk of Fairfax’s old local newspaper empire.

But the top story today is about how the Washington Post thinks that Arc, its publishing platform, is a $100 m revenue generator. That’s pretty amazing when you think of how much usually gets spent on content management systems so thinking of content management as a revenue generator rather than a cost centre.

I just started the Knight Centre’s Product Management for Newsroom Leaders course so products and managing them are at the forefront of my mind so it probably isn’t a surprise that this quote from Shailesh Prakash, the Washington Post’s Chief Information Officer and Chief Product Officer, jumped out at me:

In the beginning, it was quite confusing because we spent a great deal of time trying to define what a product is. We asked ourselves questions such as, “Who is the owner of the homepage?” However, I believe those types of questions are irrelevant because the key to successful product development is to partner with the Sales, Engineering, and News teams to come up with products that delight our readers, advertisers, or subscribers. In the best case, we are delighting all three of them.

How The Washington Post Made Its Publishing Platform A Revenue Driver, by Peter High, Forbes contributor

Developing products that delight all of our key constituents. That’s a pretty great goal.

If you’ve got a story that you think I should put in the newsletter, especially from outside of the US, @ me on Twitter @kevglobal. And if you aren’t a subscriber, you can get this everyday in your inbox by signing up here.

TikTok Explained and an Indie Media Collective in Boston

An unsettled cat on TikTok, Giphy.com

How much have you been hearing about TikTok? It has exploded on the scene, and everywhere I turn, I seem to hear about it. What is TikTok? NPR has a really good Q&A about this latest, hottest social media platform, and it is especially popular with really young audiences. My takeaways:

  • Facebook is for Grandma.
  • Snapchat? “Over it.”
  • ” TikTok is kind of a culmination of every viral video app that’s existed in the last five, maybe even 10 years – kind of going back to early YouTube. And it’s comedy. It’s music. It’s sometimes makeup and sometimes monologuing. And it’s a weird hodgepodge of every sort of viral thing that could happen in a short-form video app.” says Brittany Spanos of Rolling Stone magazine.
  • ” But when I showed TikTok to my 20-something producers, they thought that they were too old for it. It feels distinctly for the very young,” Spanos said.

Moving on from TikTok another feature in my newsletter today, I also found a lot of great insights in this overview of Boston Institute for Nonprofit Journalism . Chris Faraone, one of the co-founders, described BINJ like this:

Basically, I wanted to create a miniature ProPublica, a collaborative, free-floating incubator that would be a Make-A-Wish Foundation for all of these news outlets to help them do what they couldn’t afford to do.

Chris Faraon, co-founder, Boston Institute for Nonprofit Journalism

This is a really good, actionable look at the kind of support that this group is providing for local news producers. It is giving small local publishers some room to experiment and also building deeper connections to users. The other thing that really stood out for me what that the institute helps small indies in choosing what they cover and what they don’t cover.

As usual, if you’ve got a story that you think would be good in the newsletter, let me know on Twitter, @kevglobal. If you haven’t subscribed to the newsletter yet, it’s easy to do so here.

10 Journalism Newsletters You Should Subscribe to, Make that 11

Pamphleteer, WikiMedia Commons

I’m closing out this week in a totally meta way in my newsletter: 10 other journalism newsletters that you should check out, well, apart from mine.

But I also want to start something and post the top five stories based on what you have been clicking through to in my newsletter.

  1. Like most media, podcasting is pivoting to paid (with complications)
    From Max Willens, Digiday
  2. 7 reasons a freelance journalist should start a podcast, by my friend
    Suchandrika Chakrabarti, on Muck Rack
  3. Why platforms like Facebook and Apple struggle to boost local news | What’s New in Publishing | Digital Publishing News, a great piece by Simon Owens, on What’s News in Publishing, where I also have been known to write.
  4. The Telegraph’s roadmap to 1m paying subscribers and financial sustainability, by Ian Burrell in The Drum
  5. How publishers are using Snapchat’s curated stories tool for breaking news and more, by Kerry Flynn, in Digiday

I hope that you have a great weekend, and remember, if you have any good stories that I should include in the newsletter, let me know @kevglobal on Twitter.