Thank you! The Oscar speech as I start my new job

As I start my new job, I feel a deep sense of gratitude. I owe a lot of people a lot of thanks for their support over the last two years.

As I go back to full-time work, I first want to thank the managing director of Y Ffynhonnell, Suw, for being such a great boss. 😉 Seriously, Suw helped me navigate this leap into independence, which was truly terrifying for someone who had always held a full-time job. She has also been really supportive about my new job, although I’m sure she will miss me as a valued employee. She’ll still have to deal with me as an office mate.

I also want to thank all of the clients I’ve worked with over the past two years. Like the Oscars, I can’t thank you all here. I especially want to thank Mohamed Nanabhay and Riyaad Minty for the amazing opportunity to work with Al Jazeera. Thanks to Durga Raghunath at Network18 in India for inviting Suw and me to help with the launch of FirstPost. Strategy meetings in February to launch in May! Wow, what a ride. Thanks to John Thompson at Journalism.co.uk for inviting me to participate in the News Rewired conferences and for giving me the opportunity to share my passion for data journalism with other journalists. Thanks to Karl Schneider of RBI (and Adam Tinworth, now available to help you take your digital editorial projects to the next level) for giving me the opportunity to do training with staff on data journalism and beat blogging. Thanks also to the Norwegian Institute of Journalism and Transitions Online also for giving me opportunities to train journalists in a wide range of digital skills. Thank you to Send a Cow for an amazing opportunity to go to Kenya and see how mobile technology might help the farmers they work with share information. Suw and I had the opportunity to work with many other clients. Thank you all.

HIRED: Knowledge Bridge and the Media Development Loan Fund

After two years of very successful and satisfying professional independence working alongside Suw, I’ve decided to accept an exciting new, full-time position with Media Development Loan Fund.

Who will I be working for?

Who dat, you ask?

The Media Development Loan Fund is a mission-driven investment fund for independent news outlets in countries with a history of media oppression.

Last summer, I was invited to an MDLF board meeting to talk about media developments in the Middle East, based on the work that I had been doing with Al Jazeera. The board was also keen to discuss developments in digital media. When I attended the meeting, MDLF’s CEO Harlan Mandel described the fund as a unique organisation. Yes, the fund focuses on funding news outlets in countries with a history of media oppression, but the goal is to grow the news organisations into self-sustaining, sustainable businesses.

That impressed me. In 2012, I don’t see a crisis in journalism in the developed world as much as a crisis with the business model of journalism. In 2012, we need not just collaboration between hacks and hackers, coders and content creators, I also want to see collaboration between editors, ad departments and business and product development folks. I think you can maintain editorial independence while thinking of the key question of how we create economically sustainable news organisations.

Most of my work has focused on the US and the UK, developed media markets with news businesses under intense pressure. MDLF has been working with clients often facing not just the challenge of creating sustainable businesses but often facing the political pressure of operating in emerging democracies. Despite these challenges, MDLF has had some amazing results:

  • After one year of working with MDLF, client reach grew by an average of 33%, and after 5 years by 71%.
  • From 2009 to 2010, individual client sales grew by an average of 11%. After 5 years of working with MDLF, client sales increased by an average of 213%, and after 7 years by 345%.

Again, this impressed me. Independent media not only doing good but doing well. We need a lot more of this.

What will I be doing?

MDLF wants to help the news organisations it works with make the digital transition. To achieve this, MDLF will be launching the Knowledge Bridge project. (No link because it’s not launched yet. Another digital initiative they have already launched is their Digital News Ventures fund. If you’re a digital news entrepreneur, you’ll want to check it out.) The Knowledge Bridge is both a platform (a blog, a digital resource centre and newsletter) to capture the best in digital business and editorial strategy and a capacity building concept, which will provide digital editorial and business skills training and consulting for clients. MDLF has worked in 27 countries, from Guatemala to Indonesia, and the Knowledge Bridge will be focusing on the digital media business needs in those countries, although we will definitely highlight the best digital thinking in the US, Europe and elsewhere. I’ll be the editor for the Knowledge Bridge and also helping to manage the training and consulting for clients. It took a challenge this big and an organisation this interesting to lure back to full-time work.

I’ll keep it relatively brief because we’ll be talking a lot more about it when it launches next month. Watch this space! (And your inbox. I’ve got a lot of emails to a lot of you about exciting opportunities to collaborate on the Knowledge Bridge project.)

UPDATE: MDLF has officially announced my new role.

Queen of the May Kickstater project launched – please help spread the word

Crossposted from Chocolate and Vodka.

At last, Queen of the May is up on Kickstarter and ready your support! We have 28 days to raise $10,000, and already have $1905 pledged. Even if you choose the lowest support level, which is $3, please do consider taking part as every little helps!

You can also help immensely by telling your friends about it. No matter how focused your own personal network, every mention of the project helps. Here are a few things you can do:

Use your social networks
Send a Tweet, update your Facebook, MySpace and LinkedIn statuses, or leave a message on any other social network you use. Kickstarter provide a Tweet button that allows you to log in to Twitter and send a pre-written Tweet which says:

Queen of the May by Suw Charman-Anderson — Kickstarter http://kck.st/zv4p1f via @kickstarter

If you think that’s a bit boring, you can always try:

I’m supporting @Suw’s Queen of the May on @kickstarter and you should too! http://kck.st/zv4p1f (please RT!)

Or, of course, you can write whatever you like, just remember the URL: http://kck.st/zv4p1f

Kickstarter also has a Facebook Like button, which you can use to post to your Facebook timeline, but again, an original, personalised message will be more interesting to your friends. 

Write a blog post
If you want to write a blog post about the project, you can quote any of the stuff that I’ve written on the Kickstarter page or here to be part of your post. You can also embed the video if you like. The code is:

<iframe frameborder=”0″ height=”360px” src=”http://www.kickstarter.com/projects/suw/queen-of-the-may/widget/video.html” width=”480px”></iframe>

If you want to ask me specific questions or do an interview, please feel free to email me.

Tell your friends
If you have friends that you think might enjoy Queen of the May, why not just send them a quick email to tell them about it? Equally, if you’re on any mailing lists, forums etc. and feel like they might like to know about it, please do let them know. 

Share the link
If you’re a member of social sharing sites like Delicious, Pinterest, Metafilter, StumbleUpon etc. please do share a link to the Kickstarter project page. The biggest challenge for any crowdfunded project is to reach enough people and social sharing sites can be important sources of new supporters.

Every little really does help
It’s tempting to think that you have to famous to have an effect, but that’s not true and there’s evidence to prove it! Buzzfeed’s Jack Krawczyk and StumbleUpon’s Jon Steinberg recently collaborated on a project to analyse how links were shared across their networks. They said:

Our data show that online sharing, even at viral scale, takes place through many small groups, not via the single status post or tweet of a few influencers. While influential people may be able to reach a wide audience, their impact is short-lived. Content goes viral when it spreads beyond a particular sphere of influence and spreads across the social web via ordinarily people sharing with their friends.

[…] Even the largest stories on Facebook are the product of lots of intimate sharing — not one person sharing and hundreds of thousands of people clicking.

In short, lots of people sharing the link with just a few good friends is at the heart of what makes a project like this succeed, however counter-intuitive that might seem. I’ll write more about this in due course.

In the meantime, if you like the look of Queen of the May, do keep an eye out for updates from me on Twitter, as well as here on the blog and on Kickstarter. And here, for your delectation is the pitch video. Enjoy!

 

 

Social media: One-to-some communication that needs amplifiers

Ethan Zuckerman had a great insight yesterday at the Knight Foundation event looking at the information needs of communities.

[blackbirdpie url=”https://twitter.com/#!/andrewhaeg/status/172021672419926016″]

Ethan pointed to the coverage of Tunisia and how the video of Mohamed Bouazizi’s self-immolation was uploaded to Facebook, one of the few such sites still accessible in Tunisia. Exiled Tunisian Sami ben Garbia covered the early stages of the revolution on her personal blog and also Nawaat.org, but Ethan noted at the time that there was precious little coverage, especially in the US. The video and story of Bouazizi’s self-immoltion was then picked up by Al Jazeera. Al Jazeera became the amplifier.

In the early days of social media, social media an traditional media were portrayed in conflict. In the US, the mainstream media became referred to as the lame-stream media by some bloggers, usually by bloggers on both the right and left that were frustrated that traditional journalists didn’t present the world as viewed through the bloggers’ partisan prism.

However, as both social media and traditional media have evolved, a complex, symbiotic relationship of filtering and amplification has developed. It’s a great insight, and I think one of the biggest challenges for all of us as Ethan has been pointing out for years is to seek views outside of our own circles. That’s a fascinating challenge for journalists. How do we open up echo chambers rather than amplify them?

Journalism: It’s about people

It’s not often when in the flood of social media about journalism a new theme comes out so clearly, but today, the theme I’m hearing is about people. Steve Yelvington, of Morris Publishing in the US, flagged up this post by his colleague, Derek May, an executive vide president at the group. Like John Paton‘s Journal Register Company, Morris is embracing a digital first strategy, but May quoted Billy Morris at length of the challenge facing his company, well known challenges. Morris said that “digital first” was a good first step, but he announced a new strategy: “Audience First”.

What does “Audience First” mean? It means the people come first. What the people want in digital form, we provide in digital form. What they want in print, we give them in print. And what it takes for businesses to reach the people, we provide – both print and digital.

They are setting ambitious audience growth targets, to double their news audience and quintuple their “total audience”. They believe that:

In the digital era, doing a good job on news gets you only a very small slice of the digital audience.

This is really interesting, and as a journalist, it’s something that I’m going to have to digest. On one level, I understand perfectly what he means. The newspaper has always been a bundle that included a lot more than what I might call public service journalism. I guess it begs the question: In a digital era, what is the bundle of information, products and services that creates a sustainable business to support itself, including public service journalism? It’s a fascinating, platform agnostic way to frame a solution to the problems facing news organisations right now.

I’ll tell you another reason why I like the idea of Audience First. In the near term, the next five years, at newspapers, print and digital will still have to co-exist. As much of a digital journalist as I am, I know that simply shutting off the presses would require most newspapers to gut their existing news operations. You only have to look at what happened at the Seattle Post-Intelligencer that went digital only and went from 165 journalists to 20. (Note, I’m not suggesting that digital first advocates, especially as I count myself as one, are advocating shutting off the presses.) A counterpoint to the Seattle PI is The Atlantic magazine, which sharpened both its print and digital offerings. In 2010, it turned its first profit and a decade, and in October of last year, The Atlantic announced that its advertising profits were up by 19%.

It takes a village

The next story of people-focused journalism comes from a former college classmate of mine, Cory Faklaris, who works for Indianapolis Star.

In the US, the newspapers that really have really taken an economic beating in the last seven years are the big city metros, and the papers in Philadelphia are a good case in point. The Philadelphia Inquirer, part of the Philadelphia Media Network, is up for sale for the fourth time in six years.

Chris Satullo at Philly public radio station WHYY worked at the Inquirer for 20 years. Satullo notes that another former ‘Inky’ reporter, Buzz Bissinger (name straight out of central casting) asked in the New York Times, “Who will tell Philadelphia’s story“. Satullo responds: The rest of us.

But, please, don’t waste too much breath asking the wrong question: What will happen to the ink-on-paper artifact called a newspaper? That one’s settled: Newspapers will shrink into a graying niche.

Your real worry should not be whether newspapers survive. What you should worry about is the future of newsrooms, those buzzing, resourceful dens of collaboration that make everyone who works in them better than they could be alone.

Satullo points out a truism, as true in the glory days of newspapers as it is now: Great journalism is collaborative. Amen.

Put the audience first regardless the medium, and win more of their precious time by not only giving them great journalism but engage them in doing it. This sounds like a winning strategy.

 

Hacking: Members of the Fourth Estate are not exempt from the law

After the phone- and email-hacking and the illegal payments to police and other public officials scandal currently engulfing the British press the key question is, What needs to be done to make sure that it doesn’t happen again?

Journalists are obviously resistant to statutory regulation, which they believe will undermine the watchdog role that the press is supposed to play with respect to the government and the police. The belief by journalists is that this isn’t an issue of regulation but rather of enforcing existing laws. In an interview with the Guardian, outgoing Associated Press president and chief executive Tom Curley sums up that point of view nicely:

The laws on hacking and payments are rather clear. We don’t need more laws there but somebody didn’t enforce what was already there. Why did they not enforce them? What was really going on and how does that get resolved?

That’s really key. Not only is there clear evidence of wrong-doing, there has been clear evidence of wrong-doing for years, almost a a decade. What perverted the course of justice to such an extent that the News International’s ‘rogue reporter’ defence stood up for so long?

As an American, I come at this from a distinctly American point of view, not just in terms of journalism but also in terms of a fundamentally American civic point of view. The entire basis of US constitutional governance is a system of checks and balances. The Founding Fathers believed that government power needed to be held in check, which is why they invested counter-balancing power in the courts, Congress and the office of the president. Despite an increase in the concentration of executive power beginning in the 1930s, you only have to see how Barack Obama is checked by a hostile Congress to see how checks and balances operate.

The press is often referred to as the Fourth Estate, another centre of power, another check against authority. However, it’s pretty clear that in the UK, power actually became so concentrated in the tabloid press that it effectively has gone unchecked. The police didn’t hold the tabloids to account, and politicians actually courted Rupert Murdoch’s king-making Sun.

Now as the investigations into illegal payments to public officials and police yield arrests for questioning, Sun Associate Editor Trevor Kavanagh thundered in defence of his paper and the British press today under the headline Witch-hunt has put us behind ex-Soviet states on Press freedom.

An effort by the police to finally do a proper investigation and hold people to account is a Soviet-style witch-hunt?

Read his article. It’s typically good Sun bombast, but it’s also typical of tabloid diversion: Change the subject, frame the argument so that something very unseemly seems righteous and pure. He says his journalists are blameless:

Their alleged crimes? To act as journalists have acted on all newspapers through the ages, unearthing stories that shape our lives, often obstructed by those who prefer to operate behind closed doors. These stories sometimes involve whistleblowers. Sometimes money changes hands. This has been standard procedure as long as newspapers have existed, here and abroad.

Chequebook journalism is a pretty common feature in securing tattle for the tabloid press. However, if you start to whip out the chequebook to pay a police officer or a public official, that’s something entirely different. It starts to establish a potentially corrupting relationship between officials and the press. Yes, it is done in extraordinary circumstances, such as obtaining the records for the explosive MPs expenses story. However, a nonchalance about money changing hands between journalists and public officials shines a spotlight on the problem; it doesn’t provide a defence for the practice or for those involved in it.

Occasionally journalists will engage in surreptitious recording if it is in the public interest. Occasionally, and in extraordinary circumstances when there is no other way to get a story, we will conceal our identity as journalists. However, we only bend or break our own professional rules if there is an overriding public interest in doing so. There is no public interest defence for breaking the Computer Misuse Act. There is no public interest defence for intercepting voicemail messages.

With sufficient justification and internal editorial oversight, normal guidelines can be set aside when there is an overwhelming public need to do so, but journalists cannot break the law without understanding that we will be held to account.

The journalists now being investigated are not being treated any differently than anyone else would be in an investigation, and if journalists are suspected of breaking the law, there is nothing special about our profession that allows police to treat us any differently than anyone else. Members of the Fourth Estate are not exempt from the laws of the other three. A press card, even the new one proposed by the Daily Mail’s Paul Dacre, is not a licence to break the law. The sooner that tabloid journalists accept that, the sooner we can move on from this dark chapter in the history of journalism.

Sky News and Twitter: Do news organisations trust their journalists?

With all the hullabaloo about Sky News’ new draconian Twitter policy, I am actually more interested in the why rather than the policy as it was reported by The Guardian.

  • No retweets of rival journalists or “people on Twitter”.
  • Stick to your own beat.
  • Don’t tweet about personal or non-professional subjects on their work accounts.

First off, “people on Twitter”? People on Twitter? This reminds me of the old debate we had about quoting bloggers years ago. Yes, a lot of blogs were personal musings, but experts blog about topics including the US Supreme Court, arms control and volcanoes, important if a volcano in Iceland shuts down your airspace. People on Twitter include US President Barack Obama (although usually a member of staff. Tweets from the president end with BO.), the Secretary General of Nato Anders Fogh Rasmussen and Noriyuki Shikata, a Japanese cabinet spokesman tweeting in English, providing at least the official view of what was happening at the stricken nuclear reactors at the Fukushima Daiichi power plant.

A good journalist, such as Sky News’ digital news editor, Neal Mann, builds up a network of verified sources using Twitter just as any journalist does with more traditional sources. I follow more than 700 people on Twitter, and I can tell you sourcing information about almost all of them. Any journalist worth their salt knows the sources on their beat, and for savvy journalists like Neal, Twitter is just an extension of those sources.

Why would a news organisation do this in 2012? I can understand that they want to make sure that tweets by their journalists aren’t completely outside of their editorial process, but they shouldn’t be. What even precipitated this? This question is especially important when their digital news editor, Neal Mann, is the kind of exemplar of how a journalist should use Twitter.

When the Washington Post had a bit of a Twitter clampdown in 2009, it came after a bit a controversy with personal comments from then digital and feature managing editor Raju Narisetti. The Associated Press revised its Twitter policy last year specifically to address the issue of retweeting to include:

Retweets, like tweets, should not be written in a way that looks like you’re expressing a personal opinion on the issues of the day. A retweet with no comment of your own can easily be seen as a sign of approval of what you’re relaying.

And much as with Sky News’ policy, the AP says in its full policy (available in PDF form by the link above):

Don’t break news that we haven’t published, no matter the format.

Last week, I chaired a social media and journalism panel at Journalism.co.uk’s News Rewired conference that included Neal;  Katherine Haddon, head of online with English, AFP; Tom McArthur, UK editor of Breakingnews.com; and Laura Kuenssberg, business editor with ITV News. Laura summed up Twitter best practice succinctly:

If you wouldn’t say it on air, don’t tweet it.

Certainly there are some specific considerations for social networks, but frankly, this sums it up. If you can’t trust someone on social media, how can you trust them on air, on your site? There should be one standard of journalism regardless of the platform. Rather than clamping down on Twitter, why don’t news organisations incorporate tweets from their journalists more effectively? The Guardian does this quite effectively on its site. Why don’t broadcast news organisations selectively incorporate tweets from their correspondents in the on-screen crawl or ticker?

Fundamentally, this is down to trust. At The Guardian, when I was blogs editor, we allowed some journalists to publish their own blog posts directly to the site. With live blogging, you have to have trust in the blogger. It was a privilege earned by writers who produced clean copy quickly.

Instead of such self-defeating policies, why not train the staff and when they have proven themselves, then their Twitter accounts are incorporated directly in the site. You can also have it so that tweets only appear on the site when a special hashtag is used. There are so many practical, smart ways to deal with this rather than the retrograde repression that Sky News has chosen. When things like this happen, it says volumes about who is in charge and how little they trust their own staff.

Other posts covering this story:

 

 

Liz Heron of New York Times: How to be distinctive in social media

I’m doing my News Rewired blogging a bit out of order because I’m also doing moderator duty.

Liz Heron, the social media editor for the New York Times, kicked off News Rewired.

She succinctly summed up the goal of the New York Times with social media as:

Engaging users without wavering from our high journalistic standards.

She started by talking about how social media had moved into the mainstream in newsrooms. In 2010, she and her team were focused on evangelising, but in 2011, her team was in demand due to events such as the Arab Spring and the Occupy Wall Street protests.

Some 400 New York Times journalists are on Twitter, and she said that 50 journalists had enabled the subscribe feature in Facebook. She said that a Times’ reporter reached out to Facebook users for a story about students and depression. The reporter interviewed dozens of people on Facebook and had a sidebar focusing just on the comments on Facebook.

She gave another example of using social media to enhance New York Times’ journalism. On the recent story that they did looking at labour conditions at Apple contract manufacturer Foxconn in China, they translated the story into Mandarin and released this on Chinese social media, gathering comments there that then supplemented the main story.

As social media has moved to the mainstream of journalism she said it was becoming more of a challenge to become distinctive. Adam Tinworth, who has an excellent live blog of the session, had this great insight from Liz:

The question is no longer “wether to engage” on social media, but how to distinguish themselves from  others doing it. And how do they scale as new platforms emerge?

In focusing on being distinctive, she said that they had to pick and choose from new platforms. She said that Google+ originally “flummoxed” them. She said Google+ had a “very exciting but very uncertain future”. However, they have found that Google+ has some deep discussions and a “potentially revolutionary feature” with Hangouts.

The Times is also evaluating Tumblr and Quora.

Her three tips for news organisation social media success:

  • Be strategic.
  • Be different.
  • Strive for meaningful interactions. “Don’t be content to skate on social media’s surface.”

The first question came from Darren Waters of MSN who asked how to measure success.

A lot of people will focus on traffic, but they were looking more at engagement metrics. She also said the Times asked:

Did we get something out of journalistic value? Were we there first with the story? Did we start an excellent conversation? Did we get our content out there in the global conversation?

 

NewsRewired: Tom Standage of Economist ‘Digital is not a zero-sum game’

I’m at NewsRewired again doing a bit of live(-ish) blogging about some of the talks that I find interesting.

Everyone wants to be The Economist because it has managed to increase both its print and digital subs over the last few years, and unlike most publishers, it has see its readership and revenue grow through the recession. Speaking at Journalism.co.uk’s NewsRewired conference*, he gave some insights into its success.

In the current environment, for any publication that acts like a filter the noisier the media environment gets the better you do.

Standage also sees The Economist brand this way that if someone was stranded on a desert island and had to choose one publication so that they believe they are informed that they would choose The Economist. That’s a great statement of how The Economist sees itself.

Their attitude to digital is that it is not a zero-sum game. About a third of their print readers are also using their digital apps. From their own market research, they realised that they needed to cater to their readers who wanted a digital experience for two reasons.

  1. Readers see digital as more convenient. The biggest reason that readers give when they cancel their print subscription to The Economist is that they don’t have enough time to read it.
  2. In their own market research, currently, readers prefer print to digital by a ratio of 80% to 20%, but asking them what they will prefer in two years.

Standage says:

We sell this content bundle, this feeling of being informed when you get to the end of it. That is what we sell. That is essentially the proposition. You can still sell this in a mobile environment.

Some observations: How many other publications have the clarity about what they provide? How many other publications have the clarity of the value proposition they offer?

Standage also gives us this nugget of golden insight. In the past, The Economist’s archive was hidden behind a paywall. The result:

Before 98% of our content was invisible to Google.

They have shifted to metered paywall similar to the Financial Times and the replicated by the New York Times. Any reader on the web gets 5 stories a week free to read. The Economist’s traffic actually went up. Some pay for a digital only subscription, but print subscribers get access to the digital content.

The metered paywall plus all access to print subs is a great model. You get users used to paying for digital.

He added this caveat. “This will not work for everyone. You need to know who your readers are.” He said that such a model would be difficult for The Guardian that sells most of their print copies through newsstands, and he said that The Guardian  doesn’t know about its readers. The Telegraph is starting to build a database of reader information, but he sees The Guardian as behind in this effort. (Any Guardian folk want to take issue with that?)

He closed by saying that there is not one new model but many new models. However, we’re beginning to find some ideas that work. They might require a change to your publishing business – especially in getting to know your readers much more – but we have some elements of a working model.

UPDATE: Adam Tinworth has live blogged this session and adds other details, especially with respect to the media app economy.

* Disclosure: I conduct data journalism courses for journalism.co.uk

Is a lack of trust really what ails newspapers? Not the British tabloids

I’m going to mix apples and oranges here a bit, mixing the US newspaper industry and the British industry. If you think that isn’t fair, then you can click away now.

Some have argued that the decline of newspapers has been down to a loss of trust. A couple of examples of that point of view. James O’Shea, a former editor of the Los Angeles Times said in 2008:

“(the) main problem journalism now faces is the lack of public trust in journalists.”

O’Shea feels that for newspapers to thrive and prosper they “have to figure out how to deliver journalism that makes the public believe we once again are a public trust, something of value and something they won’t hesitate to pay for.

When The Economist asked Jay Rosen last August what the biggest problem was with the news media in the US, he said:

Another example is the decline of trust. In the mid-1970s over 70% of Americans told Gallup they had a great deal or fair amount of confidence in the press. Today: 47%. Clearly, something isn’t working. But revisions to the code of conduct that has led to this decline would be seen by most journalists as increasing the risk of mistrust. I’ve tried to argue that the View from Nowhere—also called objectivity—should be replaced by “here’s where we’re coming from.”

The other problem he identified was that the bulk of revenues still came from print “but cannot provide a future”.

For those who argue that the decline of the newspaper industry is down to a loss of trust, I’ve never been convinced that this is the fundamental issue. It might be coincidental, but I’m not entirely convinced that it is causal. To me, the decline of newspapers is down to competition from other media for attention, disruption of display and classified advertising and changing media consumption habits. Did they move to other platforms for news because they had more trust or were those other platforms simply more convenient? Do people in the US trust TV news anymore than they trust print?

Roy Greenslade at The Guardian makes the point forcefully today that trust and reading a tabloid in the UK have little to do with each other. “Trust and the red-tops? It’s irrelevant to the millions who read them“, pretty much sums up his point. At the risk of quoting a bit too much from Roy, in terms of the trust=readership argument, at least in terms of print circulation in the UK, that doesn’t really match reality.

Yet, as the print sales figures show, those red-tops – The Sun, Daily Mirror and Daily Star – together sold 4.2m copies even in the dismal sales month of December (with a probable readership of 12m plus readers).
To put that in perspective, sales of the other seven national titles – the middle market pair and five quality titles – collectively totalled roughly the same as the three red-tops.
In other words, though we might think trust plays a crucial role in the decision about media consumption, it is not the defining factor for the regular red-top reader.

To put this in stark terms, Rupert Murdoch’s Sun had a circulation of 2.5m, -6.85% YoY, -3.56 MoM, compared to The Guardian which had a circ of 230,108, -13.11 YoY but fortunately up 1.61% MoM. The Sun has more than ten times the circulation of The Guardian.

I’m not saying that I like this reality. Frankly, I’d rather that trust guaranteed financial success for newspapers, but sadly, the world doesn’t seem to work quite that way. The tabs are easily digestible entertainment, and they show their readers the world they want rather than an accurate picture of reality. However, to argue that a decline in trust is the cause of declining readership and the decline in fortunes for newspapers, doesn’t quite square with reality.

I’m not saying that trust and credibility aren’t important. They are core to my professional identity. However, when it comes to answering the business problems of newspapers, it’s probably down to a collapse in traditional sources or revenue rather than simply collapse in trust.