Category Archives: Business

10.09.09
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AP’s Curley v Curley and News Corp’s Rupert v Rupert

The newspaper industry has woken from its slumber, and they have realised the enemy is not the internet. The enemy is actually you and me, those of us who use the internet. According to the CEO of the Associated Press Tom Curley, “third parties are exploiting AP content without input and permission”, and:

Crowd-sourcing Web services such as Wikipedia, YouTube and Facebook have become preferred customer destinations for breaking news, displacing Web sites of traditional news publishers.

I’m linking to this on one of these third parties sites, Google News, which has a commercial hosting agreement with the AP. Those bloody paying parasites!

Curley was speaking at the World Media Summit in Beijing’s Great Hall of the People. Does Curley know who added those links to Wikipedia, shared those stories on Facebook or uploaded those videos to YouTube? Internet users, you, me and millions of others around the world. For Mr Curley, the internet is a “den of thieves“, says Jeff Jarvis.

Jeff offers his argument against this view of the world. However, I’d like to stage another bit of a debate, one possible through the virtual time travel of the internet. Let’s get ready to rumble! In this corner, we have the Curley of 2009, who argues:

We content creators must quickly and decisively act to take back control of our content.

With that jab, a slightly younger, slightly more optimistic Curley of 2004 lands a right hook: “The future of news is online, and traditional media outlets must learn to tailor their products for consumers who demand instant, personalized information.” The Curley of 2004 instead sees this future from his own past:

the content comes to you; you don’t have to come to the content so, get ready for everything to be ‘Googled,’ ‘deep-linked’ or ‘Tivo-ized’.

Ouch Tom 2009, that looks like it hurts. Next up in our virtual cage match is a spry 78-year-old, Rupert Murdoch! Let’s start with the Rupert of 2009:

The aggregators and plagiarists will soon have to pay a price for the co-opting of our content. But if we do not take advantage of the current movement toward paid content, it will be the content creators — the people in this hall — who will pay the ultimate price and the content kleptomaniacs who triumph.

Fighting back is the fighting fit Rupert “The Digital Immigrant” Murdoch of 2005:

Scarcely a day goes by without some claim that new technologies are fast writing newsprint’s obituary. Yet, as an industry, many of us have been remarkably, unaccountably complacent. Certainly, I didn’t do as much as I should have after all the excitement of the late 1990’s. I suspect many of you in this room did the same, quietly hoping that this thing called the digital revolution would just limp along.

It’s a shame to see this come to blows. These guys should really talk to each other. With Rupert 2009 on the ropes, Rupert 2005 delivers this shot:

What is happening is, in short, a revolution in the way young people are accessing news. They don’t want to rely on the morning paper for their up-to-date information. They don’t want to rely on a god-like figure from above to tell them what’s important. And to carry the religion analogy a bit further, they certainly don’t want news presented as gospel.

Instead, they want their news on demand, when it works for them.

They want control over their media, instead of being controlled by it.

Ouch. Can’t you guys make up your mind? Has the Great Recession changed consumer internet behaviour and media consumption trends? Or did the industry’s complacency finally catch up with it?

10.09.09
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The curse of social media jargon

I’ve been thinking a lot lately about jargon, especially in the field of social media. As someone who’s watched the social media market grow up over the last seven years, I’ve also watched the field-specific terminology flourish and I’ve seen it frustrate and flummox people too.

Early in my social media career I had a client who could not explain what their company did without using huge amount of what was then brand-new terminology. It was a problem, because if you can’t explain to potential new clients what you do and how you do it in words they can understand, it can make it difficult to close new deals.

On the other hand when you are talking about new technology, ideas and concepts, sometimes you need new terms. There was no way to get around using the word “blog” (or “weblog”), for example, because existing terms like “website” or “web page” do not mean the same thing – a blog is distinctly different from a website or web page.

So where do you draw the line? A good social media consultant keeps specialist terminology to a minimum and explains new concepts when they crop up. In real life, of course, sometimes one can get a bit excited and the odd neologism can slip out, but it should be such that the context provides enough information that the listener can understand what’s going on.

Specialist terminology doesn’t just describe new technology and concepts, it also acts as a community identifier – talking about RSS and blogs and wikis and social networks marks me as a member of the social media community. It creates an “in-group” – people who all understand what I’m talking about because they are part of the same community. Of course, as soon as you create an in-group, you also create an out-group – all those people who haven’t the foggiest what I’m on about.

In-groups and out-groups are everywhere and we are all members of both sorts of groups in different context. I’m a member of the kitten in-group, but the puppy out-group, for example.

The job of the social media consultant is to act as a bridge between the social media in-group (developers, designers, community managers, other social media experts, etc) and its out-group (clients). At my best, I take the ideas, concepts and examples of social media and I express them in a way that I hope out-group members can understand.

Increasingly, I’m seeing social media consultants who are taking the specialist terminology to a whole new level by creating complex jargon to obfuscate meaning. Instead of bridging in-groups and out-groups, they are creating stronger linguistic barriers around the in-group, excluding more people. The people they are excluding aren’t just random strangers, they are clients. One would expect a good consultant to take their clients on a journey from the out-group into the in-group, rather than to park them firmly on the outside of a wall of jargon.

In some ways, this is a sad but reliable indicator that the social media market is maturing. Demand is high, supplier of competent and experienced consultants is low, and companies lack the knowledge to accurately assess the actual level of expertise of the individuals or agencies they are considering engaging. Thus they choose to work with those individuals or agencies who sound most impressive. (I’m sure they also look at track record, but for many that is either absent or not a reliable indicator.) Thanks to a widespread corporate culture that values unintelligible jargon, it’s the talkers who get hired, rather than the walkers.

It seems to me from casual observation that those people who understand social media, are pragmatic about it’s capabilities and who talk about it in plain English are now falling into a new out-group in opposition to the in-group of jargon-spouting charlatans. This is something that’s been coming on for a while. Frankly, I’m surprised it’s taken this long.

10.08.09
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Follow The Digital Immigrant’s lead at your peril

Roy Greenslade (who also blogs at the Guardian, where I work) pierces Rupert Murdoch’s air of invincibility.

Now, amid the recession, Murdoch is facing up to an uncomfortable reality. His company lost £2.13 billion last year, doing much worse than analysts had predicted. Most of those losses were directly attributable to his company’s acquisition of the Wall Street Journal and its clumsy move into digital media.

In my view, Murdoch is a 20th Century figure. He understands the mass media models of the 20th Century, but he never seems to have grasped the internet. In fact, Michael Wolff of Vanity Fair says that Murdoch has declared on the internet.

Murdoch can almost single-handedly take apart and re-assemble a complex printing press, but his digital-technology acumen and interest is practically zero. Murdoch’s abiding love of newspapers has turned into a personal antipathy to the Internet: for him it’s a place for porn, thievery, and hackers.

I’ve never seen him make a smart internet move. (Ok, I’ll cede that Hulu is smart and getting smarter.) He was late to the party in the 1990s, and by the time he took the dive it was on the eve of the crash and he dove headfirst into the dead pool. He pulled back with a vengeance, slashing and burning his digital divisions as he went. Rather than using his significant revenues to build for the future, he retreated into the past. After Google’s rise, The Digital Immigrant took another dive with the purchase of MySpace, but the social network was almost old news the moment he bought it. Now, he’s being portrayed as a paid content pioneer by terrified lemmings in the industry. They say: “Rupert has always been right in the past. He must be right now.”

Blindly follow Murdoch’s lead in digital at your peril. He’s a 20th Century visionary who has yet to display any vision in the 21st.

09.22.09
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Paid content: Real scarcity versus artificial scarcity

Mathew Ingram at the Nieman Journalism Lab has an excellent post looking at the issues of paid content in general and micro-payments in particular. It’s a really useful post because he rounds up quite a number of posts and points of view on the subject. One thing really leapt out at me. Mathew writes:

Does that mean newspapers can’t make any money? Not at all. I think Mike Masnick has done a great job of pointing out how a media business can make money even if it gives content away for free — his company Techdirt does it, plenty of musicians and artists do it. And they do it by using the free content to promote the aspects of their business that have *real* scarcity rather than artificial scarcity.

After the Great Recession, news organisations are all seeking news sources of revenue and a more diversified revenue base so that we’re not as dependent on one highly recession-sensitive revenue stream, advertising.

As we look for new revenue streams, journalists need to get real about what adds value and need to be brutally honest about real scarcity. Currently, too much of the paid content discussion is obsessing over the societal value of journalism and not about rebuilding a revenue bundle that supports the socially valuable work that we do. Non-niche news has always been subsidised by other content and revenue streams. It is not dirty and it doesn’t devalue the social mission of journalism to think in terms of what other services and products we will need to develop to support that social mission. I’m more than happy for lifestyle news and food blogs to pay for investigations and bread-and-butter daily journalism. In many ways, it’s the simple recognition that our audiences are interested in many things, not just hard news.

Last week, speaking at the Norwegian Online News Association annual meeting, one of the points made by my fellow panelists was that news organisations have created a lot of innovative editorial projects but not many innovative commercial products. There are a lot of opportunities for news organisations to develop niche news and information products, but we best move quickly. Niche sites and services have already set up a dominant presence in many key content verticals. We also best move quickly on developing mobile apps, desktop apps and other tools to distribute our content and allow for easy recommendation. Steve Outing, for one, sees a lot of possibilities in mobile news and information services. What possibilities do you see to help pay for the social mission of journalism?

09.21.09
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Only 5% of UK readers willing to pay for online news

As I wrote in my post from earlier today, I didn’t know if the statistics from the American Press Institute about paid content held up for the UK market. As if on cue, paidContent.co.uk (owned by the folks who pay my bills at the Guardian) have commissioned a survey in the UK by Harris Interactive that track very closely with the US numbers. According to the figures from API, a 2009 Belden survey in the US found that if content was no longer available for free on a newspaper website that 68% of respondents would turn to “other local Internet sites.” The Harris survey in the UK found even worse figures: 74% would turn to another free website.

Robert Andrews at paidContent.co.uk has a thorough run-down of the numbers and looks at age, demographics and geographical differences in the data. One thing that leapt out at me is that London had the highest figures for those willing to pay if their favourite news site began charging, but even in the media capital of the UK, a scant 17% would be willing to open up their pocketbooks.

Another statistic that I found interesting is that 16-24 year-olds were much more willing to pay than any other age group. It’s still not a high percentage, 13%, but it is much higher than the 1-2% of anyone over 35. Is that because younger age groups value the internet as an information source more or because they are more accustomed to paying for content online or on their mobile phones? The survey doesn’t answer these questions although it might be contained in user interviews that are not discussed in the post.

I am sure that people on both sides of the paid content debate will look at these figures and find in them data that supports their position. However, it is difficult to use these numbers to posit a case where paid content online becomes a major source or revenue that will replace the declining revenue in the traditional print business.

05.06.09
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Government support for journalism is no panacea

Today, I had a Twitter discussion with Kevin Garber, an “African entrepreneur in Australia and founder and CEO of spellr.us” an online spellcheck service. As with Twitter conversations, this is actually from two threads that take some joining. It began based on one my response to journalism professor and blogger Jay Rosen who said:

My testimony would have been: No government funding for news; culture war yahoos in Congress will just Mapplethorpe it http://tr.im/kDIb

Jay was linking to a US Senate committee meeting about The Future of Journalism. Jay is referring to the battle over funding for the National Endowment for the Arts (NEA) in the US over support of exhibitions of homoerotic photos by Robert Mapplethorpe. The NEA became a key front in the US Culture Wars.

Journalists in the US who look to the BBC model for funding journalism or want their own government bailout would be wise to remember the Culture Wars. They’ve loved covering it, but if they took state funding, they wouldn’t be just be covering it, they would become embroiled in it, even more than they already are. As I said to Jay on Twitter, “People in US arguing for gov’t support for newspapers forget what a political football arts or public broadcast funding is.”

Kevin said:

the key question is are newspapers a public good that can’t be addressed via normal supply/demand mechanisms …

To which I replied: “No, the question is about about journalism not about newspapers. Public funding for journalism is not a panacea. (says as ex-BBC)”.

I’ll agree with Kevin who said in a follow up comment that “smart capitalism doesn’t rely on mkt for everything”, but I’m not sure that the market is failing in terms of support for professional journalism. Rather, I think we’re in the midst of changing business models and that the dominant print model has given way to a multi-platform model with much greater diversity of revenue streams than the recession sensitive over-reliance on advertising. Newspaper and broadcast journalism are capital-intensive, industrial businesses that rely on advertising rates that were under threat before the recession and are unsustainable during the recession. The market has been sending clear signals to newspapers for 30 years that their business model was under threat, and those trends have only accelerated in the last five years. However, the Great Recession is a rupture in business as usual. Assumptions, business projections and companies are now being swept away as this credit bubble bursts.

Now, like the banking and auto industry, the newspaper industry is looking for a solution, and many journalists share Kevin Garber’s view that newspaper journalism is such an important public good that it merits public funds. You hear it when journalists argue that they play a role essential to democracy.

Even non-journalists make this argument. Suw was at Social Web Foo Camp recently at O’Reilly HQ in California, and she said that many people during a “design the future newspaper” pointed to the BBC as the model that could save journalism. Public service broadcasting is a funding model for journalism, but even in the UK, it hasn’t been extended to newspapers. And I doubt it will be. I think journalists also need to realise that such a model probably couldn’t roll back the job cuts that are hitting US newspapers. This shouldn’t be seen as some full employment act for journalists. Also, let’s get real. As an American, I think it’s safe to say that we would have to be living in some Star Trek-variety parallel universe to even contemplate significant public support in the US for a $200-plus annual licence fee payment to watch live broadcast television (either other-the-air or down a cable of some description). It ain’t gonna happen. Seriously. Also, while many other state broadcasters benefit from a licence fee, the UK is unique in the level of funding, and I think a poll of senior executives at the BBC would find most of them preparing for a dramatically reduced level of public funding in the future.

But apart from the political feasibility of a publicly funded journalism institution at the level of the BBC, let’s take a look at some of the cons stemming from public funding. And I say this coming from the point of view of having worked for Auntie for eight years. I love the BBC, and I was very proud to work there. However, public funding doesn’t come without its downsides (and strings attached, just ask the banks or Chrysler for that matter).

  1. What one administration giveth, another can taketh away. And the cuts might even come from an administration that you think will like you. Bill Clinton didn’t really like the press when he left, and Labour, while it might seem would have much more kinship with the BBC and public broadcasting, has not exactly been a supporter of the BBC. Just ask Director General Mark Thompson who thought he was going to get a much more generous licence fee settlement than he got.
  2. Your commercial competitors will spill tankers of ink, pay lobbyists and rant endlessly on air (cough, Fox News) to make sure that your funding will be as low as possible. Just ask the Corporation for Public Broadcasting in the US. (Maybe you should take a page out of NPR’s books and start subscription drives.)
  3. You’ll have to subject new ideas to a ‘public value test‘ and make sure that it doesn’t distort the commercial market. In other words, you can be successful, but not too successful.
  4. Public funding won’t insulate you from job cuts. As I said, I worked for the BBC for eight years. There were cuts four out of the eight years I worked there. One year, the cuts were 18%, which was a blessing because the Head of New Media at the time, Ashley Highfield, had asked for 25%. And the cuts continue. This year, they are looking to find £400m of savings.

There are pros, of course, and the BBC is a great journalistic institution. But it’s not in the ruddy health that most American journalists assume it is. Like much of the media, it reached a high water mark in the early part of this decade, and it’s now swimming against the tide. This is not to say that public funding shouldn’t play a role in journalism, but it already does in the US in the form of NPR and public television. Also, based on the experience of Sweden, state support might help for while, but it’s not a long-term solution.

I’ll be interested to see what if anything comes out of the US Senate hearings today, but if it’s government support you want, be careful what you wish for.

UPDATE: A timely example of what I’m getting at. If journalists are anxious over a sense of powerlessness from market forces, it’s no different when the government can change your budget by fiat. See: (Conservative Party leader) Cameron to force vote to halt increase in BBC licence fee. He might not get his way now, but he might when he’s prime minister.

04.19.09
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What’s missing from the Google/newspapers discussion

It seems to have become fashionable recently for members of the media to rail against Google, claiming that the search giant is significantly to blame for the demise of newspapers. The arguments appear to include:

  • Google is a parasite that makes money off newspapers content through aggregating it
  • Google, by acting as a middleman, deprives newspapers of control and therefore income
  • Visitors from Google are of low value because they do not stay to explore a site and therefore are not exposed to enough ads to make their visit worthwhile to the news outlet

In my opinion, these arguments are all wrong, but rather than debate them here (other people are already doing it), I’m curious to ask why two key parts of the problem are being utterly ignored.

Google enables existing behaviours
Before newspapers started publishing on the web, newspaper readers had a limited number of choices if they wanted to read what the paper had printed: read someone else’s copy, or buy and read their own. Once someone has bought a paper, the tendency is to read substantial portions of it, or even read it cover-to-cover including the bits one doesn’t really care about.

I am sure that there are psychological forces at work here, perhaps cognitive biases such as ownership bias. After all, who hasn’t felt the desire to get the most value for money out of a newspaper or magazine purchase by reading as much as one can manage, even when one has run out of any real interest?

That behaviour, and the forces that encourage it, is absent online. Instead of feeling obliged to oneself to make the most of a newspaper purchase, people are now searching for only the information that they need or want. They become promiscuous browsers, instead of dedicated readers.

Google facilitates that behaviour, a behaviour which was present before Google existed, and which will continue after Google is gone. The news outlets, however, are fixated on the idea of a dedicated reader and I’ve heard some journalists get positively indignant at the suggestion that promiscuous browsing is not just a normal behaviour, but rapidly becoming the default. They think that dedicated reading is the one true way to absorb news, and look down upon anything else.

This prejudice is damaging the news industry badly, because if your whole revenue generating mechanism, not to mention your metrics for success, is built upon the idea of people spending lots of time on your site, reading lots of articles, then your business is built on sand. Instead of working from a set of assumptions that are no longer valid, how about the news industry learns how their readers’ lives, attitudes and behaviours have changed, and uses that as a basis for developing a more robust business model. After all, people aren’t going to go back to their old habits. Ever.

Advertising innovation can be done by companies other than Google
Whilst Google News runs no adverts, news content does make its way into the general search results where advertising does very well for Google. This, for reasons unclear to me, is seen by some in the news industry as a grave assault, to be fought and destroyed.

Yet Google, alongside Craigslist, Gumtree and their brethren, are ripe for advertising disruption. The sites that were the disrupters can themselves be sideswiped, by the very sort of clever innovation that appears to be almost entirely lacking in the news industry. Why have news outlets not put together their own versions of TextAds and AdSense, allowing advertisers to buy text ads on certain topics, categories, or keywords? Can I go to a major news website and buy a keyword directly from them? Why are news organisations, who have been in the advertising game forever, relying on third party tools to spread excess ad inventory across their extended blog network? Why give away that slice of the pie to someone else?

Where is the advertising innovation? And no, annoying pop-ups, rich-media ads and irritatingly loud audio ads do not count. They are about as innovative as a slap round the face with a wet haddock – they are old school, scattershot, relying on interruption instead of relevance, and worst of all, they infuriate the visitor so much that even if the ads had been of interest, their childishness is terminally off-putting.

It feels like the news outlets have abdicated responsibility for finding new and better ways for their advertisers to buy space, time and keywords, to manage their own accounts, make their own decisions on where they want their ads to appear and manage their own budget.

It’s time for the news outlets to reclaim advertising, to learn from Google, Craigslist and Gumtree and beat them at their own game. Railing away at Google or any other site that’s eating their lunch is, however, a waste of time and a distraction that the industry can ill afford at the moment.

04.06.09
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Complexity and news: The Financial Crisis

One of my biggest criticisms of my profession, journalism, is that we don’t do complexity or nuance very well. My friend and colleague Bobbie Johnson once referred to this as ‘binary journalism’. I always found it odd that many media commentators criticised George Bush’s Manichean world view (a view that is in itself simplistic) when the media delights in over-simplified stories of good versus evil that seem have more of a place in comic strips than journalism. However, whether it’s climate change or the global financial crisis, journalism needs to deal with complexity. We need to explain it to our audience in ways that engages and adds to their understanding.

Unfortunately, I fear that journalists are leaving this job to GAB – the Global Association of Bloviators, well-paid commentators who make a helluva lot of money not explaining a complex world but rather engaging in polarised shouting matches on talk radio, cable television and comment sites. It can be greatly entertaining and distracting, but it’s the information equivalent of professional wrestling while Rome burns. We can’t have binary journalism in an analogue world where often things exist not only on a continuum but in complex, multi-dimensional inter-relationships.

But therein lies the challenge. How do you Jedi mind trick people who might prefer the theatre of cable news or the simple morality tales of tabloid newspapers into caring about something that in the end is really complex but have a real impact on their lives as the global financial crisis has? I think that engaging readers using social media and creatively telling stories is the way forward, and we’re starting to see some great examples of this.

During the financial crisis, the collaboration between US National Public Radio’s Planet Money and This American Life have produced some of the most enlightening and entertaining programs on the subject. One of the programs, The Giant Pool of Money, has rightly won a Peabody Award. Harvard’s Nieman Journalism Lab has interviewed one of the creators, Adam Davidson, about a model for complex news.

NPR’s Adam Davidson on “The Giant Pool of Money” from Nieman Journalism Lab on Vimeo.

Adam says that journalists need to acknowledge their own ignorance in covering complex stories, and he talks about other lessons he learned in creating what has become a series of some of the best journalism on the financial crisis in any medium. The full transcript is on Nieman’s site if you’d prefer to scan it.

More than this, I think that Adam hits on why I prefer to blogging, in particular, and digital news in general to traditional print or broadcast media, which is that news can be a process of learning that the journalist shares with the audience. Also, as Rob Paterson points out, digital media can be much better than traditional linear media in dealing with complexity, although Adam has done a wonderful job dealing with complexity during a long-form radio program. I appreciate this in Rob’s explanation:

The POV was always going to be – EXPLAIN! The presenters of the show would be representing us. They would start from a position of NOT KNOWING and not understanding the jargon. The irony is that even the so called experts have told Adam that they too have learned from the show.

They got rid of the voice of authority and took their listeners on their own journey of discovery.

I understand all too well the illusion of the ‘VOICE’ that Rob is talking about. The deep bass voices of presenters are meant to represent authority, but the presentation cannot overcome the fundamental superficiality of sound bites, the same interview aired in heavy rotation and minute-thirty packages. Why not just dispense with the theatrics and focus on finding out what we all wanted to know? How the hell did this mess happen? What led us to here?

The global financial crisis is now being packaged into media theatre complete with two-dimensional villains and victims that do a disservice to the real story: The West has maxed out our personal and collective credit cards. Politicians and commentators on the right point to irresponsible borrowers while those on the left point to irrresponsible greedy lenders and financiers. The crisis is here, and while the media retreats into a comfortable narrative that places responsibility on some other segment of society, it will only put off a little longer the hard choices that all segments of society will have to make. This is a moment when journalism can shine, even during this time of industry and individual anxiety. The global financial crisis cries out for great intelligent story-telling. Let’s do the story justice, and hopefully in doing so, we’ll find solutions to the crisis sooner rather than simply putting off the hard choices.

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04.02.09
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Saving Newspapers: The Musical

A tip of the hat to Harvard University’s Neiman Journalism Lab (a must follow for journalists on Twitter) for this gem.

Let’s all sing along: “In the name of name of digital ubiquity, where you can get the news anytime for free, is there any room for dinosaurs like us, journalists who are already extinct.” New business models: Offer businesses good reviews on Yelp? Sell Marijuana when it’s legalised?

Well, it looks like their solution is a little behind the British tabloids in their plan to save newspapers. But I’ll leave you to watch it. I may have already ahem…revealed too much.

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03.31.09
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Street View in the UK

There’s been a bit of a furore recently about Google’s Street View, which has now come to selected cities in the UK. When it was launched a number of images had to be removed because they showed people in situations that could be potentially embarrassing or which people said invaded their privacy. There was the ambulance crew; the man coming out of a sex shop; the rock star enjoying a pint at his local. Complaints ensued and Google took down the images.

I am slightly perplexed as to why this kerfuffle happened at all. Google had a similar reaction when it launched in the US in May last year, and its face-blurring policy is a result of that pushback. Surely it was ready for a fuss to be made here? Especially as Privacy International pre-emptively threatened them with legal action last July. (PI kept its word and complained to the Information Commissioner’s Office.)

I think Google could have prevented a lot of this bad press by removing suspect images prior to launching the tool. Computers are really bad at figuring out what’s in an image, and even though face recognition software improves every year, a computer cannot make a judgement on whether that face is in a compromising position or not. But humans can, and there are millions of humans online who are not only capable of spotting an obviously unsuitable photo at a glance, but also willing to do so if it’s made easy enough for them.

Google could have put together a Galaxy Zoo-like tool to allow volunteers to assess each photo, after the face-blurring, but before it was accepted into their database. If Galaxy Zoo can find a few tens of thousands of people to check pictures of galaxies, Google can find a couple of million to check Street View photos.

I suppose some people would complain that even if you showed a compromising photo to just three people – which is all it takes to pass reliable judgement on an image – that’s three people too many. But I don’t believe that’s a reasonable stance to take. If you are in a public place then why should you have an expectation of privacy? My dad was once filmed getting off a train at Reading station, and for years afterwards his face showed up on every news story about trains. We have to accept that when we are in public places our image may be captured and may sometimes turn up online, or even on TV.

In my opinion, Google should have assessed the photos prior to publication because it’s good customer care. Google isn’t perfect, but if it has a fault, it’s that it often seems to lack a human dimension, using computer engineering to try and solve what are often human problems. The question of Street View isn’t, to my mind, a privacy question as much as it is a simple issue of empathy. Even the PR angle, really, is secondary, a side-effect to caring/not caring about the people around you. Would there have been as much bad press about Street View if Google had cleaned out any potentially embarrassing photos prior to launch?